TLA-100A v2.5.10 WiN

Team R2R | 09 Jan 2021 | 17.1MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Compression Simplified.

A studio essential for four decades and counting, this classic compressor is all about gentle, natural-sounding gain reduction, sublime leveling, and ease of use. Everything you put into the TLA-100A comes out the other side sounding big yet compact. It effortlessly keeps the dynamics of your material controlled, without strangling the sound. An exquisite emulation of the original 1980s hardware, the TLA-100A plug-in offers extras not previously available to the hardware user, such as a Low Cut filter, the Saturation knob, and Parallel Inject. The plug-in pluses take the TLA-100A to the next level while enshrining the warm, smooth sound of the original.

Haunted Guitar v1.0 WiN MAC

SYNTHiC4TE | Jan 08 2021 | WiN 1.06 GB | OSX 1.71 GB

Haunted Guitar is a VSTi/VST3/AU instrument created with a multi-sampled Fender Stratocaster Plus Deluxe Electric Guitar, each preset contains 28 samples processed with various high quality effects to achieve dark and spooky guitar sounds.

Transient Shaper v2.5.10 WiN

Team R2R | 2021.01.09 | 15.97 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Transient shaping has become a vital technique in music mixing. The abilities to sharpen or soften the onset of a sound and to lengthen or shorten the decay have been very useful for giving each sound just the right size and position in the mix. Transient Shaper takes this concept one step further, by letting the user affect either the entire frequency range — which is what most similar tools do — or the treble frequencies or bass frequencies individually.

Eden WT800 v2.5.9 WiN

Team R2R | 2021.01.07 | 16.53 MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

There are a handful of classic names in bass guitar amplification, but few have the combination of pedigree and sheer modern versatility that comes with the Eden WT-800. Featuring a full range of tools from compression and five-band EQ, to easy bi-amping and an ‘enhance’ knob for quick and effective scooping of mid-frequencies, the ‘World Tour’ amp really can do it all, around the globe.

Marshall K.King Signature WiN

Team R2R | 07 Jan 2021 | 16.3MB

PLATFORM: WiN64 – SSX/VST/VST3/AAX(MODiFiED)

Thrash metal is visceral, energetic, aggressive. Getting the right depth and texture of sound, the right bite in the attack, the right snarl on the tail, is essential. You need an amp like a wild animal, like a fighter, like a beast. Kerry King has spent four decades at the vanguard of the scene, blazing trails and busting guts with his edgy in-your-face sound, so naturally his signature amp – the custom Marshall 2203KK, a.k.a. “The Beast” – is the only place to start if you’re after super high gain and punchy articulation in a single rig.

Metal Amp Room v2.5.9 WiN

Team R2R | 07 Jan 2021 | 11.9MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Metal Amp Room was designed to bring you the most brutal, evil and aggressive sound that is possible to squeeze out of your DAW. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics with adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. Focusing on usability and sound quality, this is a plug-in that is proud not to include a gazillion amps, effects racks, patch cords, or a blow-dryer. Just two channels, two cabinets, two mics per cabinet, and a wickedly fast noise gate for palm mute galore. Every setting is a setting that will sound good, so it’s almost impossible to get a useless sound. Metal Amp Room is a real workhorse, a plug-in that will handle all your metal needs without ever getting in your way.

RealRick v4.0.2.7433 MAC

Team R2R | 22 Dec 2018 | 421.7MB

APP/AU/VSTi/VST3/AAX

In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.