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  • OptoRED v1.1.0 WiN MAC-R2R
    October 24th, 2021 ⚡
    Categories:
    AU, macOS, VST, VST3, WiNDOWS, x64

    OptoRED v1.1.0 WiN MAC-R2R

    OptoRED v1.1.0 WiN MAC

    Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

    PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

    OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.


    Viewed 8717 By Music Producers & DJ´s.

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  • REDDI v1.0.3 WiN-R2R
    October 24th, 2021 ⚡
    Categories:
    AAX, VST, VST3, WiNDOWS, x64, x64

    REDDI v1.0.3 WiN-R2R

    REDDI v1.0.3 WiN

    Team R2R | 24 Sep 2021 | 10.4MB

    ..:: VST, VST3, AAX, x64 ::..

    The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up. Without any eq – simply through its gentle tube shimmer – REDDI gets bass, synths, and guitars to ’sit’ in the mix with less processing and fuss. The REDDI plugin, then, is designed to be used as any analog DI would: first in the chain, as an initial treatment before compression, saturation or eq – imparting its unique tube sweetness to any instrument in your mix.


    Viewed 7300 By Music Producers & DJ´s.

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  • Blyss v1.1.0 WiN-R2R
    October 23rd, 2021 ⚡
    Categories:
    AAX, VST, VST3, WiNDOWS, x64, x64

    Blyss v1.1.0 WiN-R2R

    .:Blyss v1.1.0 WiN:.

    Team R2R | 2021.10.22 | 52.48 MB

    PLATFORM: VST/VST3/AAX(MOD)

    A mastering-style EQ, sandwiched inside six stages of delicate Saturation, feeding a dead-simple ‘finishing compressor’. It’s an EQ with a vibe, the likes of which could only come from Kush. Blyss Mastering Channel is a 3-stage processor designed specifically to make busses — both mix and instrument — sound “prettier”. It also happens to sound incredible on individual tracks too. While it has multiple cascading Saturations, a 6-band EQ and a mastering grade Compressor, all sections have been greatly simplified to reflect old-school approach to processing: less is more, choices are limited but comprehensive, and all sections are designed to work together, making it nearly impossible to produce a bad sound.


    Viewed 7874 By Music Producers & DJ´s.

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  • Electra DSP v1.6.0 WiN-R2R
    October 23rd, 2021 ⚡
    Categories:
    AAX, VST, VST3, WiNDOWS, x64, x64

    Electra DSP v1.6.0 WiN-R2R

    Electra DSP v1.6.0 WiN

    Team R2R | 2021.10.22 | 12.93 MB

    PLATFORM: VST/VST3/AAX(MOD)

    The hardware Electra EQ set a high standard for fast, smooth, punchy equalization, and the Electra DSP’s precisely modeled filters embody that spirit flawlessly. The high shelf is surprisingly flexible, the bass reaches down to the floor. But those midrange filters have a magic proportional-Q, the more you boost the tighter they get. They’re so articulate, they can make drums sound like they were tuned and even mic’d differently. No matter how aggressively its set, Electra is relentlessly smooth and unapologetically analog in character.


    Viewed 17166 By Music Producers & DJ´s.

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  • Clariphonic DSP MKII v1.3.0 WiN-R2R
    October 23rd, 2021 ⚡
    Categories:
    AAX, VST, VST3, WiNDOWS, x64, x64

    Clariphonic DSP MKII v1.3.0 WiN-R2R

    Clariphonic DSP MKII v1.3.0 WiN

    Team R2R | 2021.10.22 | 8.9 MB

    PLATFORM: VST/VST3/AAX(MOD)

    Re-modeled from the ground up using all new algorithms and filters, the Clariphonic DSP MkII sounds markedly smoother than the original plugin, and is considerably more powerful thanks to 3 processing modes: Classic Stereo, Dual Mono, and Mid-Side. With custom oversampling algorithms specifically designed for shelves whose highest corner is 38k, it faithfully captures the spirit of the analog hardware.


    Viewed 12939 By Music Producers & DJ´s.

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  • Molot GE v1.0.4 WiN MAC RETAiL
    October 22nd, 2021 ⚡
    Categories:
    AU, macOS, VST, VST3, WiNDOWS, x64, x64, x86, x86

    Molot GE v1.0.4 WiN MAC RETAiL

    Molot GE v1.0.4 WiN MAC

    P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

    ..:: VST2, VST3, AAX, AU ::..

    Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.


    Viewed 12299 By Music Producers & DJ´s.

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