Double MS & Mono Upmix

TCD | 03 July 2023 | 3.60 MB

Mono Upmix. The Mono Upmix can generate Stereo and even LCR channels from any mono signal and works great on voices in Post Production, synth in music production, as well as bass, guitars, drum room mics, vocals, etc. It adaptively extracts the diffuse sound in the mono input signal to create an upmix signal. As the diffuse sound should always be reproduced decorrelated on different stereo channels, the up-mixed signal sounds more natural than the original mono track. The Mono Upmix is often superior to a reverb as it doesn’t add reverb but uses the present diffuse sound. Furthermore, it’s possible to control the perceived source distance and panning position by generating early reflections. The Mono Upmix plugin performs great with mono location sound dialogue as well as spot microphones in a music recording.

Endless Smile v1.3.1 WiN

MOCHA | 11 February 2024 | 6.5 MB

….: VST2, VST3, x86, x64 :….

Finally! We made another plugin! It’s called Endless Smile. This plugin creates all the tension you need in your music. With our first plugin “Sausage Fattener” we created a simple way of getting our fat signature sound. But it’s not all about the drop – you need buildups too. With “Endless Smile” it’s easier than ever to create music that lifts you to space with a smile that just gets bigger and bigger and bigger.

FX Collection 4 WiN

Team R2R | 03 July 2023 | 3.52 GB

FX Collection 4 Find your sonic perfection

A curated selection of 30 creative audio effects for modern music makers, from enhanced emulations of iconic studio tools to contemporary & experimental effects plugins for inspiring music production and creation.

Pristine Peaks IE v1.0.0 WiN MAC

Team R2R | 03 July 2023 | 50.8 MB

Pristine Peaks IE is a streamlined version of our stereo Pristine Peaks limiter that has been enhanced and optimized for multi-channel surround and “immersive audio” applications. Pristine Peaks IE, like Pristine Peaks, is an ultra-low distortion peak limiter for use in both mixing and mastering applications where the transparent peak control is required. Pristine Peaks IE can support up to 12 channels of audio for use on mono all the way up to 7.1.4 channel-based audio tracks and buses. Each channel can be level-trimmed +/-5dB pre-limiter while their peaks can be trimmed as well by as much as 10dB below the master Ceiling setting. Channel Isolate and Bypass controls are also provided to allow channel monitoring and bus separations.

OP-X PRO-II v1.3.1 WiN

Team R2R | 13 November 2023 | 12.9 MB

OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas. Due to its countless sound shaping features and flexible voice management the range of possible sounds reaches from early monophonic synths over classics like OB-X and Jupiter-8 up to Matrix-12 .  OP-X PRO-II offers world unique features and a sound that will make your brain release endorphines. It will deliver the fattest and warmest strings, pads, brasses and solos you’ve ever heard from a virtual synth. An included library of more than 1500 of the finest presets inluding many of the most famous 80ies hits sounds and countless well known presets from various classic vintage synths builds the base for your work. Features like relative or fetched midi cc response make this synth a perfect live machine. Read more

Advancer v1.0.0 WiN MAC

Team R2R | 03 July 2023 | 14.5 MB

PLATFORM: AU/VST/VST3/AAX

Advancer is a unique plugin that does the opposite of delay. It uses your DAW’s latency compensation mechanism to shift sounds forward in time (with respect to other tracks in your DAW) by up to 50mS.

MiniKORG v1.1.1 WiN MAC

TEAM R2R | 02 August 2023 | WiN: 206.3 MB | MAC: 418.4 MB

At the beginning of the 1970s, many compact monophonic synthesizers appeared on the market. However, most of them were used mainly by famous musicians who could afford rare instruments or as research devices in the academic world. KORG wanted to give the average musician the chance to experience this new type of musical instrument. After much trial and error, the company’s first mass-produced synthesizer was announced in 1973: the miniKORG 700. With a simple appearance that belied its ability to produce diverse sounds beyond imagination, it charmed many musicians who loved its unique and thick tonal quality.