P410 Joyride WiN

Team R2R | 30 October 2025 | 10.1 MB

P410 Joyride Tone Flux Graphic Equalizer.

Redefining what a graphic EQ can do. Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows. P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive. A journey through tone, texture, and harmonic light. Welcome to your next obsession. Tone Flux Graphic Equalizer Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.

VM-Comp v2.0.3 WiN

Team R2R | 30 October 2025 | 40.2 MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

The most faithful emulation of a modern yet legendary tube compressor/limiter – perfect glue for mixing and mastering… An industry-standard tube compressor | Variable-bias tube compressors deliver smooth, transparent gain control, and naturally “glue” buses, mixes, and masters together. Unfortunately, the original hardware is expensive and difficult to integrate with in-the-box workflows. Software emulations exist, but most owners of the hardware agree that they cannot be compared to the original unit, as there’s always “something” missing. With its unique Topology Preservation Technology, Pulsar VM-COMP sounds objectively identical to the hardware in every production context, but also introduces improvements such as visual sidechain EQ editing and extended timing ranges.

VSM-3 v1.4 WiN

Team R2R | 14 February 2019 | 33 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

VSM-3 plugin delivers the beloved badass harmonic generators of Sound’s acclaimed VSM-2 Mix Satellite. The plugin even adds some features not found on the original hardware like the THD Mixer’s dry/wet control, and the ability to run the Crusher and Blender in parallel or serially. The VSM-2 sound is now an A-List option for adding character and emphasis to tracks and busses. Its M/S chops in particular open up exciting possibilities for stereo signals! For the mastering engineer, the VSM-3 provides all the unique saturation power of the VSM-2 in an economical and convenient plugin. While there are plenty of saturation/distortion plugin options available, only the VSM-3 offers the singular sonic personality of the over-built VSM-2.

IPA 25 v1.0.14 WiN

Team R2R | 30 October 2025 | 40.3 MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

Multi-VCA Dynamics Processor

Classic VCA compression with modern VCA control. Modeled after a classic VCA design, the IPA 25 is a flexible dynamics system with visual control and modular signal flow.

MP-EQ v2.0.3 WiN

Team R2R | 30 October 2025 | 64.2 MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

The most complete passive EQ plugin. Musical and intuitive, a must-have for mixing and mastering. A DIFFERENT EQUALIZING EXPERIENCE | MP-EQ is an emulation of a legendary analog EQ found in almost every mastering studio worldwide. Designed as a synthesis of the best passive equalizers of the past 70 years, its fully parallel topology offers a unique and musical frequency response compared to digital EQs with the same settings. Because of this design, the bands naturally interact, producing a more musical overall response. Its entirely passive circuit, featuring custom hand-wound inductors, tubes, and transformers, delivers creamy highs, balanced mids, and organic warmth through magnetic saturation. MP-EQ faithfully recreates every sonic detail of the original hardware while adding modern features like visual curve editing, drive control, linear phase mode, or auto-gain.

splitS v1.1.2r1 WiN

SEnki | 30 October 2025 | 4.7 MB

While de-essers and dynamic EQs can be very useful, they are rarely sufficient for effectively managing sibilance in vocal recordings. Producers and engineers alike commonly find themselves spending long hours manually editing these problematic sounds. While often unavoidable, this method is very time-consuming and diverts attention from what really matters. splitS is here to give you your time back! splitS is not a de-esser, but rather a straightforward mixer that allows you to balance sibilances, and separate a vocal track between sibilance and non-sibilance in a split of a second. The signal is left absolutely intact if no volume change is applied, as the cut between sibilance and non-sibilance is made on the full range signal. No compression, no EQ, no crossover. Since v1.1, the S-Range feature can detect the peak level of each S event, letting you set a maximum volume — or exclude soft events from the S channel.

SpecCraft WiN MAC

Team HCiSO | 25 December 2024 | WiN: 28MB | MAC: 52.9MB

…: 64-bit VST2, VST3, AAX and Audio Unit :…

Cut narrow, boost wide, and on the fly.

SpecCraft is a next-generation dynamic resonance suppressor, spectrum compressor, and smart EQ. It specializes in eliminating the greatest enemy in your mix: unwanted resonances. Whether it’s harsh shrills or muddy booms, SpecCraft identifies them all and dynamically applies matching suppression at each and every audio frame. But wait, there’s more. SpecCraft not only helps you ‘seek and destroy’ resonance problems but can also fill the void left behind by generating real-time spectrum compensation curves, ensuring no dynamics loss or artifacts due to resonance suppression. With SpecCraft, your mix stays clean, balanced, and full of life from start to finish.