Haunted Guitar is a VSTi/VST3/AU instrument created with a multi-sampled Fender Stratocaster Plus Deluxe Electric Guitar, each preset contains 28 samples processed with various high quality effects to achieve dark and spooky guitar sounds.
Discover the all-new Darksichord 3 – your go-to harpsichord virtual instrument plugin designed to seamlessly enhance your music production experience on Windows and macOS platforms. Darksichord 3 takes its roots from the original version’s three sound layers, now infused with fresh textures and subtle variations that bring a darker and more distinctive sound to the forefront. Navigating the interface is a breeze, offering user-friendly controls including ADSR amplitude envelope, LFO modulation, lowpass/highpass filter options, and a global tune feature. We’ve also added new effect modules – delay, distortion, and reverb – complete with familiar controls for effortless tweaking. Take your sound manipulation further with the revamped Layers section. Independently adjust the levels of each layer (Sub, Harpsichord & Organ) for precise tone shaping that aligns with your creative vision. Darksichord 3 caters to a wide range of music styles, from Pop, Hip Hop, Trap, EDM, and House, to cinematic production, filmmaking, and sound design. Its darker tone is perfectly suited for creating moody and atmospheric vibes. Explore the capabilities of Darksichord 3, now available in VST/VST3/AU plugin formats for both Windows and Mac (64 bit), and elevate your music with enhanced harpsichord sounds.
Redefining what a graphic EQ can do. Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows. P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive. A journey through tone, texture, and harmonic light. Welcome to your next obsession. Tone Flux Graphic Equalizer Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.
There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.
Meet Velvet. A smarter de-esser for smoother vocals. Soften harshness and sibilance, dynamically shape tone, and remove distracting mouth noises and clicks – all in one easy-to-use plugin.
Meet Velvet. A smarter de-esser for smoother vocals. Soften harshness and sibilance, dynamically shape tone, and remove distracting mouth noises and clicks – all in one easy-to-use plugin.
TH-U is the only amp simulator which includes the MODELING, CAPTURING and FLUID IR PROCESSING features in a single plug-in, both for computer and mobile devices. The software can be expanded with the world largest collection of add-ons, which includes 28,000+ Captured Rigs and 42,000+ Real IRs.
