Ozone 12 Advanced v12 WiN

Team V.R | 15 September 2025 | 503.6 MB

Go beyond the limits of mastering with an all-in-one suite of 20 pro modules. Ozone is an all-in-one suite of 20 pro tools designed for modern mastering, accelerated by a time-saving, AI-powered assistant. Building on over two decades of award-winning, cutting-edge innovation, Ozone 12 keeps you in full control while offering previously impossible mastering workflows. Whether it’s your first track or the latest in a long line of hits, this is everything you need to bring your creative vision to life.

Bass Focus v1.0.4 WiN

Team R2R | 15 March 2026 | 19.6 MB

Bass Focus is a low frequency enhancer for mixing and mastering. It helps bass to sound fuller, louder and more powerful, on all speaker systems; without sacrificing headroom. And on smaller speakers, it reveals low-end which would otherwise be lost. Helping your music to sound its best, even on mobile phones and portable devices. The plugin can be used as a channel insert to enhance individual instruments, or applied to theentire mix. It can add power to 808s, solidify kick drums, thicken synths and bass guitars, and much more. At the mastering stage, it can improve mix translation and presence, thicken the low-end, and recover headroom in problem mixes with too much sub.

Multiband X6 v1.0.44 WiN

Team R2R | 15 March 2026 | 23.5 MB

Outstanding mixes — whatever your style

X6 is an advanced multiband compressor that sets new standards in mixing and mastering. Whether it’s radio-ready vocals, a pumping drum bus or punchy mastering, X6 gives you the power.

Pitch Monster v1.3.14 WiN

Team R2R | 15 March 2026 | 13 MB

PLATFORM: x64/VST2/VST3/AAX(MODiFiED)

EXTREME PITCH SHIFTING

Underneath Pitch Monster’s streamlined exterior lurks an absolute beast, capable of 64 voices of sound-warping insanity. Transform a solo vocal into a beautiful choir or robotic melody; turn a mono synth into an orchestra, or your own familiar speaking voice into the rumbling vibrations of Thor, God of Thunder. With its granular, formant and robo-tastic vocoder engines, Pitch Monster goes far beyond ordinary pitch shifting. Realtime MIDI control, low latency and 8-voice polyphony mean that it can be played like an instrument. Pitch and time spread and randomisation functions turn ordinary sounds into the fantastical, whilst extreme formant shifting can not only alter the gender of a voice, but mutate it into an entirely different species! Just don’t turn the knobs too far. You don’t want to get it over-excited.

.:Boost v1.5.11 WiN:.

Team R2R | 15 March 2026 | 9.27MB

VST2/VST3/AAX*/x64

Boost increases the loudness of audio material. Use it as a signal enhancer during mastering, or to reveal hidden details while mixing or creating new sounds. Set the Output Ceiling, dial in Attack and Release times, and use the main Boost dial to get anything from a gentle increase in average loudness to an all-out smashed-up signal. Boost applies transparent signal maximization for a professional sound, and thanks to the unique Focus control, you can maximize a signal upwardly, applying more gain to quieter sounds – NO CLIPPING, ever. A Drive control (plus extra Punch setting for transients) are on-hand to add energy and warmth to the signal.

P410 Joyride WiN

Team R2R | 15 March 2026 | 10.1 MB

P410 Joyride Tone Flux Graphic Equalizer.

Redefining what a graphic EQ can do. Sometimes, sound isn’t about balance. It’s about movement. About color that breathes, bends, and glows. P410 Joyride isn’t here to fix your mix; it’s here to make it feel alive. A journey through tone, texture, and harmonic light. Welcome to your next obsession. Tone Flux Graphic Equalizer Captures the dynamic, fluid interplay between tone, color, and harmonic motion within P410’s design. Each EQ band models an LC (inductor-capacitor) resonant circuit instead of purely RC (resistor-capacitor) network like most modern EQs. This gives it that distinctive “smooth yet weighty” tone associated with vintage passive or semi-passive equalizers.

P915 Medusa v2.0.2 WiN

Team R2R | 15 March 2026 | 29.16MB

The intent of the Fixed Filter Bank was to enhance the primary signal of the synthesizer, adding harmonics at specific frequencies or removing them at others. Some wanted completely new and never before heard sonic landscapes to push themselves and their audiences into new worlds of musical experience. Others wanted to create more traditional and familiar sounds, while still pushing the boundaries and making use of the new voltage controls, features, and character not available in a traditional “un-plugged” instrument. Some wanted both. Enter the new reimagined P915 MEDUSA Fixed Filter Bank. A filter which adds subtle or not so subtle resonances to the signal or removing frequency bands altogether. This process, when mixed in with the unaltered, “dry” signal, can mimic the actual behavior of a traditional instrument. It can also act on its own as a unique and creative source of sound shaping possibilities not available in other filter structures.