Natalus DSCEQ v1.1.1 MAC

Team HCiSO | 13 April 2025 | 95 MB

64Bit: AU, AAX, VST3, VST2

Fatten audio with magnetic tape-style saturation

The Natalus Dynamic Stereo Console Equalizer (DSCEQ) is more than just a gorgeous-sounding passive equalizer. Its unique “Peak Level” control fattens audio while preserving dynamics. It does this by adding magnetically controlled dynamics processing to your signal—similar to the kinds of gentle compression and saturation you’d find in a well-calibrated tape machine.

Mastering Compressor macOS

Team HCiSO | 13 April 2025 | 46.99 MB

…: AU | VST2 | VST3 :…

Shadow Hills Mastering Compressor – Tame your dynamics with tremendous tone and precise control The supreme tycoon of master bus compression Meticulously modeled by Brainworx after the instantly legendary hardware original, no details have been spared in crafting this digital version of one of the most musical and versatile compressors out there. A well known staple in the music industry, the Shadow Hills compressor easily tames even the most unruly and chaotic transients with flawless control and amazing tone. It’s no wonder that it has been the go-to buss compressor on timeless records by Radiohead, Foo Fighters, Beck, Green Day, Coldplay and countless others.

Mastering Compressor Class A MAC

TEAM HCiSO | 13 April 2025 | 52.43 MB

The Shadow Hills Mastering Compressor Class A Limited Edition is one of the rarest and most powerful high end compressors ever built. In 2012, Vintage King released the hardware version of the Class A, limiting production to only 50 units! Through patented TMT modeling, Brainworx has created an exacting emulation of this legendary hardware that improves on the original with expanded features and much punchier VCA.

GRFX v1.0.0 MAC

MORiA | 13 April 2025 | 223 MB

..: AU VST2 VST3 64Bit :…

We’re thrilled to unveil our latest plug-in: GRFX – Granular Effects. Our granular dream began with FRMS and now lives on with GRFX. Deconstruct ordinary sounds and reassemble them into lush pads, pulsing rhythms, organic textures, and rogue signals from outer space. Sparse or dense, harsh or shimmering, GRFX is your sandbox for bending reality—layering, modulating, and warping your sound with the ephemeralities of the universe. The granulation engine is equally capable of thick cosmic clouds and probabilistic patterns and sequences, with detailed control over the grains’ properties and shapes. The Harmonic Triangle is the centrepiece of GRFX—an interactive three-way panelfor transposing your sounds into chords, drones, arpeggios, and microtones. Highly playable and prone to happy mistakes, especially when joining forces with the 4 dedicated, cross-modulatable LFOs. Modulation is drag-and-drop simple, with instant modulation amount control and a global Modulation Panel. Using a probability-based routing control, send the grains to the FX chain—featuring 2 multi-effect engines—or directly to the Mixer. Top it off with 2 dedicated sends—Delay and Reverb—each with individual route input controls for layered textures and complex sonic spaces.

Ramp 2 v1.02 WiN

BUBBiX | 13 February 2025 | 30 MB

Ramp gives you easy-to-use controls and musical presets to get you the volume shapes you’ve wanted without tediously tweaking for hours.

Ozone 12 Advanced v12 WiN

Team TCD | 15 September 2025 | 499.97 MB

Go beyond the limits of mastering with an all-in-one suite of 20 pro modules. Ozone is an all-in-one suite of 20 pro tools designed for modern mastering, accelerated by a time-saving, AI-powered assistant. Building on over two decades of award-winning, cutting-edge innovation, Ozone 12 keeps you in full control while offering previously impossible mastering workflows. Whether it’s your first track or the latest in a long line of hits, this is everything you need to bring your creative vision to life.

Texture v1.8.17 WiN

Team R2R | 15 March 2026 | 680 MB

…: PLATFORMS: x64/VST2i/VST3i/AAX(MODiFiED) :…

Drawing from a library of over 300 acoustic and electronic sources, Texture synthesises new layers which track the dynamics of your sound. Want to “glue” your hi-hats transients by adding dynamic filtered noise? Or how about beefing up that kick drum by automatically adding a low sine wave? Texture makes this is easy, intuitive and fast. But its uses don’t stop at mix enhancement. Experimental musicians and sound designers will find a plethora of leftfield sound at their fingertips. How about having bubbling water track a keyboard part, or adding ferocious fire crackle to the roar of a monster? Texture makes all this and more possible.