Sound shaping from beyond… PolterGate fuses the powers of transient design, gating and de-bleeding into one. Shape live drums, samples or any source you like in a swift, creative and intuitive way. Achieve better noise reduction, instrument separation and de-bleeding in a plugin optimised for power, fast results and creativity.
The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.
The goal of the denise Perfect Plate reverb is to easily manipulate your tracks in supernatural ways with supernatural sound quality. The Perfect Plate XL offers refined control over the key aspects that determine a plate’s sound, resulting in new possibilities to shape and combine plate reverb styles: make drums sound huge, like played in a oil tanker, give vocals a classic dreamy vintage reverb or make them sound like a resonating synth drone that rotates in the stereo field. We do this by utilizing our TXVerb™ technology known from the Perfect Room, praised by many engineers as the best natural reverb out there. To go even further beyond the realms of traditional reverb, we added tailor-made effects to work seamlessly with our core TXVerb™ technology. We challenge you to go supernatural with the resonator, drive, rotator & detune – and don’t forget about the internal ducker!
Complete, Not Complex. If there is a single plugin to take to the desert island, it’s the VCS-1. This zero latency channel strip integrates all the tools needed for instant signal enhancement and dynamics control… and then some! Complexity remains under the hood, as the user interface is based on a comprehensive, practical layout which supports a nimble workflow and is easy on the eyes.
The iconic 31102 preamp/eq (featured in the Neve 8068 consoles) has been used to mix many hit records for years. Guns N’ Roses, Bruce Springsteen, AC/DC, Red Hot Chili Peppers, Nirvana, Metallica… etc. We’re proud to present the true analog emulation for one of the best-sounding class A mic pre/EQ modules ever produced. Need 31102 Console Eq, with same character and enhanced with a great modern workflow! The Need 31102 is holding each small detail and true vintage tone of the original unit. Iconic console tone has been reborn!
TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms. With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.
