Helios Type 69 consoles are known for their smooth and harmonic sound, heard on legendary records by the likes of Led Zeppelin, Jimi Hendrix, David Bowie, the Who, Black Sabbath, Pink Floyd, AC/DC, and Bob Marley. 69 Channel Strip faithfully recaptures this classic tone in plugin form.
SPAN Plus is a real-time “fast Fourier transform” audio spectrum analyzer plug-in for professional music and audio production applications. For the most part it was derived from GlissEQ dynamic parametric equalizer and reproduces its spectrum analysis functionality. SPAN Plus is an extended version of the freeware SPAN plug-in: SPAN Plus provides several additional features such as PNG file export, real-time spectrum import/export and static spectrums display. SPAN Plus provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination.
AsimilonGate is a “trance” gate with internal 16 step sequence and controllable by MIDI.
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired – to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired – to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
ABLM is a gain control which enables level matched and sample accurate AB comparison of FX chains. Most DAWs can easily enable/disable (AB) single plug-in or even whole FX chains, but in most case there is an audible loudness difference between both cases. In order to compare the impact of a plugin chain objectively the loudness of the incoming signal should match with the loudness of outgoing signal. Comparing the plugin effect at equal loudness levels avoids the “louder is better” – pitfall.
