This first plug-in by Mx2 was the VTM-M2 Vintage Tape Machine. The VTMC-M2 Vintage Tube Mastering Compressor is the second release, providing a vintage tube mastering compressor.
Unov is a powerful distortion remover and the first of its kind. Mistakes can happen, this is why this tool has to be in your palette of plugins : you’ll never know when you’ll need it. Unov is available as a VST2, VST3 and AU plugins for PC and Mac, 32 and 64 bits There are two main algorithms to treat your sound : a ‘pre’ mode for heavier distortions and a ‘main’ mode with two faders for two differents types of distortion and a frequency selector to select the frequencies you need.
CONEQ WORKSHOP is the measurement software tool for any complex system with multiple channels or even acoustical challenges, with features beyond acoustic power correction alone. CONEQ WORKSHOP provides the user with many detailed parameters to customize measurements as well as modify the correction curve to the applications requirements. In addition it provides features such as composite correction of multiple measurements and a variety of target correction features. It also allows the user to load frequency response compensation files for the audio interfaces as well as the measurement microphone to achieve a maximum linearity. Graphs and reports can be exported and printed for repeated tests or quality control of permanent installations, etc..
Our brand new amp simulator called Caliburn which we are confident to say that this is our best amp yet. This time, it’s inspired by Britain’s Marshall* Amps crafted using our most current 3rd generation modeling technology, resulting a satisfying responsive feel, more dynamic guitar playing experience you’ll love. Supports various audio plugins: VST/VST3/AU/AAX which compatible with any kind of Digital Audio Workstation softwares. Standalone version are also available. In the history of music, British made amplifiers has undeniable influences to the evolution of rock music. The loud, chimey clean, and thick crunchy mids of those amps were popularized by big acts such as Jimi Hendrix, Led Zeppelin, and The Who. It is the sound of rock music that lasts through generations until today. If there was only one name that represents the sound of rock music, it’s absolutely this one: Marshall* Amplifiers. Founded by Jim Marshall in 1962, Marshall* amplifiers have taken the lead to be the top choice of many guitarists, such as Jeff Beck, Tom Morello, Andy Summers, Slash, Angus Young, Yngwie Malmsteen, to Kerry King of Slayer*.
3rd gen Tube Simulation technology following the much hyped Caliburn. Matchlock is inspired by Fender* combo amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists.
Brings five most desirable types of delay pedal effect software to your DAW, complete with modulation parameter to add life and movement to the repeats or echoes. It’s probably one of the most essential effects in audio effect processing, even before widely used in music. It all started in the 1940s, where studio engineers utilized multiple tape machines to create repeats of a signal for creative uses. Along with the advancement of technology, this particular kind of effect is still developed continuously with more features, new sounds, and modern routing possibilities. On the other hand, many players still seek for classic delay sound that can be heard on a great number of timeless records.
