Soniformer is a spectral mastering dynamics processor plug-in for professional music production applications. During its operation, Soniformer splits incoming sound signal into 32 spectral bands. This makes Soniformer a powerful and precise tool for mastering and sound restoration purposes.
OVC-128, a massively-oversampled soft/hard clipping effect plug-in for professional music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats (including native 64-bit support), for macOS (v10.7 and later), and Windows computers. OVC-128 is a massively-oversampled soft/hard clipping effect plug-in for professional music production applications. A common use for this plug-in is hard-clipping before the final peak limiter. This is an effective approach in contemporary electronic music when loudness is boosted using a clipper plug-in while minor excessive peaks are absorbed by a final peak limiter that applies no additional gain itself. Clipping the tracks via OVC-128 is practically similar to clipping using high-quality outboard analog gear. At 44.1kHz source sample rate, the internal audio sample rate of OVC-128 is a whopping 5.6 MHz!
PHA-979 is a professional audio AU and VST plugin which allows you to apply an arbitrary phase shift to sound material. What is meant by the phase shift here is simultaneous shifting of all frequencies across the active frequency range of the signal by the given value in degrees. This is achieved by linear-phase design. PHA-979 is useful during mixing sessions, especially when working with the sound material recorded through an array of microphones. In many cases this allows you to solve various phasing problems arising from the microphone placement chosen during the tracking session. In other cases this process may help you to align drums and other instruments to each other bringing punch and time coherence not attainable by the ordinary time-aligning alone. Beside the phase shifting, PHA-979 features positive and negative time delaying that eliminates the need to move in-track events in the sequencer when doing time alignment over any set of recorded tracks. PHA-979 also provides mid/side channel balance and panning controls that permit you to record stereo microphone pairs into a single stereo track without resorting to dual mono recording (on separate tracks) which usually becomes time-consuming in a further editing.
TransGainer, an audio plug-in suitable for a wide range of professional music production uses, implements an audio signal envelope adjustment algorithm that reacts on transients rather than on a signal’s loudness level. This algorithm allows you to adjust volume of attack and sustain stages of any sounds you use it on. TransGainer was designed in a way to be suitable for all possible sound sources – be it individual tracks or full mixes. In many cases TransGainer can be used in place of gate and expander plug-ins while delivering a better sound and offering an easier control. Beside that, TransGainer can be used for audio recording restoration/re-mastering purposes and reverb tail modifications with excellent results.
Spatifier is a “mono to stereo” spatial enhancer AU and VST plugin for professional sound and music production applications. This plugin can be effectively used to turn mono tracks into spatially-enhanced stereo tracks: it works great for clean and distorted guitars, synth instruments, piano, organ, back vocals and other sounds. Beside that Spatifier can be used to “densify” the sound of reverb sends, and to add “body” to thin and flat sounds. Spatifier decorrelates the signal in the left and right channels while retaining the “mono compatibility”. Such decorrelation creates the “as wide as possible” surround effect. This effect can be usually used in place of double-tracking technique. The spatial impression can be adjusted in the range from the “in your face” direct to a distant reverby sound.
EBusLim is a brickwall peak limiter and loudness maximization AAX, AudioUnit and VST plugin for professional streaming, sound and music production applications. EBusLim implements a single EL-4-based limiter mode originally designed in Elephant mastering limiter plug-in. This mode is suitable for bus, drum bus, master bus and track processing. The design idea behind EBusLim is to produce an extremely easy-to-use yet effective limiter. Since EBusLim only features a single processing mode the processing latency was reduced down to 0.5 milliseconds permitting the use of this limiter as master bus overload protector for both stereo and multi-channel real-time applications.
Deft Compressor is an audio signal compressor plug-in for professional audio production applications. The characteristic feature of this compressor is its ability to produce “slim” and “slick” sounding compression, with intelligibility enhancement effect. Such result is achieved by compressor’s timing function that closely resembles the S-curve on both attack and release stages. S-curve timing function also helps compressor to sound “warm” and “clean” at most settings. While at high attack settings Deft Compressor can be used to emphasize audio transients, it can also be used to “smash” audio signal if you use attack settings as low as 0.1 millisecond. Deft Compressor also features a so called “vintage” compression mode which produces compression sound reminiscent of analog valve compressors: it produces a warm, gently saturated sound with the ability to overdrive the output signal. Deft Compressor is perfectly usable for compressing vocals, drums, guitars and other instruments, both technically and creatively. Beside that, it can be used to compress mix groups and full mixes.
