BowEcho v1.1 WiN MAC

TEAM R2R | 09.01.2014 | WiN+MAC: 7.79 MB

BowEcho is a modular sound mangler based on 4 delay lines. It offers a large palette of sound design options thanks to 4 LFOs that can run at control or audio rate, 4 Mixers that can also act as gainers, basic filters, ringmodulators or stereo splitters, and the ability to route the output of each module the way you want. For example the LFOs can act as raw oscillators that can be used to ringmodulate the feedback path of a delay line. The delay times can be modulated over a wide range to generate noisy glitches or basic pitch­shifting of the input. BowEcho is a versatile delay plugin that can adapt to your sonic needs : use it as a simple flanger with only one delay and one LFO, or go crazy and route all modules in absurd ways to produce creepy screaming drones.

Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs

U-he Protoverb v1.0.1

FREE | 26 August 2021 | 47.6 MB

Protoverb: prototype reverb

A natural sounding reverb based on the concept of a room simulator. Protoverb is an experimental researchware plug-in, developed to aid our research. Download and use it for free.

TDR VOS SlickEQ GE v1.3.7 WiN

P2P | 26 October 2021 | 9 MB

..:: AAX, VST2, VST3, x86, x64 ::..

TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands. SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high quality analogue audio gear, up to more obvious saturation.

Prodyon Enchoir v1.6 WiN

TEAM ASSiGN | 25.12.2011 | 6.22 MB

Want to create nice and airy backing vocals? Then the Enchoir is what you need. It delivers up to 6 voices of background vocal harmony simple by playing MIDI notes! It features five choir operation-modes like “church” or “opera”. No matter what kind of music you produce – the Enchoir will always deliver you nice and silk sounding background vocals in no time!.

Prodyon Livemachine v1.3 VST WiN

TEAM ASSiGN | 25.12.2011 | 229 MB

LIVEMACHINE is a unique new live-performance Windows VST effect, designed to be used creatively on the stage, at home or together with friends for jamming sessions. LIVEMACHINE lets you compose and produce loops and song ideas on the fly. The heart of LIVEMACHINE is the eight channel recording-looper in where you can record phrases, vocals, effects, wav-loops and so much more in realtime. LIVEMACHINE is somehow an initiator of a new trend – the loop-based music production, which is endless fun and gets more and more friends worldwide.

TDR SlickEQ M v2.0.5 WiN

P2P | 26 October 2021 | 21.24 MB

..:: AAX, VST, x86, x64 ::..

TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. Specifically developed for the audio mastering engineer, no compromises have been made to deliver an exceptional musical flexibility and audio fidelity. Behind an intuitive user interface hides as staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. Six powerful parametric filter bands give precise access over tone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.