🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • Tc Electronic M40 Studio Reverb V1.0.5 Win Union Magesy

    M40 Studio Reverb v1.0.5 WiN

    TEAM UNiON | 24/02/2010 | 1.11 MB

    M40 Studio Reverb. Hall, Room and Plate. M40 Studio Reverb features three main reverb algorithms. The Hall algorithm emulates a large hall with a broad and warm reverb. Room emulates a small and well-furnished room with an intimate ambience and going back in time the Plate reverb algorithm emulates the large metallic plates which were used to create reverbs before digital signal processing was commonplace. Part of monitor signal path It is available for tracking to increase the recording comfort without tying the effect to the final take, operated by the control panel and the reverb knob on the top panel of Desktop Konnekt.


    Viewed 38930 By Music Producers & DJ´s.


  • Nusofting Morphing Delay V2.1 Vst X86 Win Paradox Magesy

    Morphing Delay v2.1 WiN

    PARADOX | 8 April 2004 | 247 kB

    Morphing Delay v2.1 has been succesfully tested in Cubase, Nuendo, Orion Pro, FL Studio, Chainer and Acid Pro and it should work in any other VST Host. This is not your every day delay effect, it’s a special FX tool for space-time warping grooves with a very warm sound, it also includes a unique morphing auto pan effect and a saturation control.Morphing Delay is powerfull but very easy too use. It’s tailored especially for the musician, by giving you great sounding results with a few specially chosen controls. You have two stages for the delay line parameters: the first stage is called “On input”, the second is called “After input”.


    Viewed 6040 By Music Producers & DJ´s.


  • BMS v2.6 AU AAX VST2 VST3 x86 x64 WiN-TCD
    September 28th, 2023 ⚡
    Categories:

    BMS v2.6 AU AAX VST2 VST3 x86 x64 WiN-TCD

    BMS v2.6 WiN

    Team TCD | 28 April 2023 | 5 MB

    WiN32/64: VST2/VST3/AAX/x86/x64

    BMS is a bass management system AAX, AudioUnit and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.


    Viewed 10844 By Music Producers & DJ´s.


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MaGeSY ® R-EVOLUTiON™⭐⭐⭐