• thEQblue v5.0.0 WiN-R2R
    September 22nd, 2024 ⚡
    Categories:

    thEQblue WiN-R2R

    thEQblue v5.0.0 WiN

    Team R2R | 22 September 2024 | 22MB

    PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

    A dozen precision variations on “analog,” all in one EQ.

    Beautiful analog architectures, twelve in all, that will take your work out of the ordinary. ThEQblue builds on the groundbreaking foundation of Algorithmix’s Classic PEQ Blue, while bringing that reference quality into the 21st Century. thEQblue is a collection of up to twelve minimum phase equalizer architectures, all employing 80 bit floating point internal precision. We reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog “baggage,” thEQblue has no noise, distortion or other secondary effects inherited from analog.


    Viewed 36171 By Music Producers & DJ´s.


  • Voxengo OVC-128 v1.13 WiN-R2R
    September 15th, 2024 ⚡
    Categories:

    Voxengo OVC-128 v1.13 WiN-R2R

    OVC-128 v1.13 WiN

    Team R2R | 15 September 2024 | 7 MB

    x64: VST3, VST2, AAX | x86: VST2

    Oversampled Soft/Hard Clipper Plugin

    Voxengo is happy to release OVC-128, a massively-oversampled soft/hard clipping effect plug-in for professional music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats (including native 64-bit support), for macOS (v10.7 and later), and Windows computers. OVC-128 is a massively-oversampled soft/hard clipping effect plug-in for professional music production applications. A common use for this plug-in is hard-clipping before the final peak limiter. This is an effective approach in contemporary electronic music when loudness is boosted using a clipper plug-in while minor excessive peaks are absorbed by a final peak limiter that applies no additional gain itself.


    Viewed 9781 By Music Producers & DJ´s.


  • PatchWork v2.70 WiN MAC-R2R

    PatchWork v2.70 WiN MAC

    Team R2R | 12 September 2024 | WiN: 58MB | MAC: 515MB

    WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

    “The virtual patchbay for audio plug-ins”

    PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.


    Viewed 94537 By Music Producers & DJ´s.


  • Destructor v1.62 WiN MAC-R2R
    September 12th, 2024 ⚡
    Categories:

    Destructor v1.62 WiN MAC-R2R

    Destructor v1.62 WiN MAC

    Team R2R | 12 September 2024 | WiN: 32.8MB | OSX: 129.3MB

    ..: AU, AAX, RTAS, VST3, VST, x86, x64 :..

    Destructor is a powerful distortion and amp sim modeling tool capable of simulating any kind of distortion: from harsh digital destruction to smooth compression or guitar amp simulation (works for clean tones too.), and most importantly, yours. It is delivered with hundreds of presets and predefined models, either inspired by existing gear (guitar & bass amps or cabinets, compressors, pedals, tape machines…) or created by our destructive minds. But the plug-in is not limited to these predefined models: all parameters of existing presets are fully editable, which gives you access to an unlimited number of distortion simulations – no need to purchase extra presets or amp models to build your custom tone. Based on a perceptual model rather than on electronic designs or impulse responses, the signal chain is reduced to its bare minimum, simplifying the process of tweaking the tone and making it fit into the mix.


    Viewed 25072 By Music Producers & DJ´s.


  • MB-7 Mixer 3 v3.60 WiN MAC-R2R
    September 12th, 2024 ⚡
    Categories:

    MB-7 Mixer 3 v3.60 WiN MAC-R2R

    MB-7 Mixer 3 v3.60 WiN MAC

    Team R2R | 12 September 2024 | WiN: 66.7MB | MAC: 618.9MB

    WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

    MB-7 Mixer is a unique plug-in that splits the signal into several frequency bands and lets you mix and process them as if they were separate tracks. Each band proposes controls that can be found on a mixing console, and more: bypass, mute or solo each band separately to isolate frequencies you want to work on, adjust the gain, the “stereoness” and the position in the stereo field. When manipulating the stereo image, a master mono switch also lets you check mono compatibility. The plug-in can also operate as a multiband VST and Audio Unit host: you can process each band independently with your favorite VST or Audio Unit plug-ins! Up to four plug-ins can be loaded on each band, pre or post fader. Latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also proposes unique linking and grouping options thanks to our multi-instances technology. You can link bands together within a single instance or between several instances of the plug-in on different tracks. This lets a simple fader control as many bands on as many tracks as you want. This is particularly useful when adjusting the placement or the balance of several


    Viewed 60878 By Music Producers & DJ´s.


  • ISL 2 v2.x.x.x AU VST VST3 RTAS AAX WiN MAC-R2R
    September 9th, 2024 ⚡
    Categories:

    ISL 2 v2.x.x.x AU VST VST3 RTAS AAX WiN MAC-R2R-MaGeSY

    ISL 2 v2.x.x.x WiN MAC

    TEAM R2R | 09.09.2024 | WiN: 6 MB | OSX: 50.7 MB

    ..: AU, VST, VST3, RTAS, AAX :..

    Real Time True Peak Limiter

    World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards. No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.


    Viewed 18273 By Music Producers & DJ´s.


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