Quadrant v1.1 AU VST WiN MAC

P2P | 28.12.2018 | WiN+MAC: 1.12 GB

Modular Hybrid

Quadrant is a modular sound generator and effects processor geared toward experimental sound design and electronic music production. Quadrant’s open-ended graphical patching system and diverse set of modules give you access to a highly customizable processing environment capable of a broad range of effects. Quadrant’s intuitive workflow and vast sonic potential will inspire you to push the envelope, while its flexible architecture invites you to try imaginative new routing scenarios. 160 factory patches were specially designed to showcase Quadrant’s capabilities both as an effects processor and sound generator. To take things even further, put Quadrant in a processing chain along with any of our other software tools. Generate vivid electronic tones or process your drums, synths, sound effects and hardware to explore endless possibilities.

Tines v1.0.2 WiN MAC

Team R2R | Dec 22 2018 | WiN: 12.7 MB | OSX: 29 MB

AU, VST, x86, x64

The Tines They Are a-Changin’

Tines emulates an electric piano. With internal effects like a stereo tremolo, a multiband distortion panel and a subtle roomy reverb, Tines can sound like anything between a dreamy slick Rhodes to a nasty Wurlitzer (however, it is not designed to be a ”vintage” emulation, but a modern and playable instrument). A fine-tuned velocity curve makes Tines a true joy to play on a MIDI keyboard.

PressIt v1.0.1 WiN MAC

Team R2R | Dec 22 2018 | WiN 3.7 MB | OSX 7.7 MB

AAX, AU, VST, VST3, x86, x64

Compress Here, Here and Here.

PressIt is a very sophisticated dynamic tool, best used as a master plugin, or to tighten up bus masters. It works really well on drums, but also background vocals or other stems that need to be tamed will fit well. PressIt consists of three compressors who work independently of each other. They are fed with the low, mid & high frequency band of the incoming audio signal. The compressor units consist of our unique algorithm from Korvpressor, developed together with engineers from KTH (Royal Institute of Technology) in Stockholm. They gently shape the three signals (with full control), and then sums it back into a nice unity. Before the audio leaves the plugin, there’s an optional brick-wall limiter to prevent digital distortion.

Pads v1.0.2 WiN MAC

Team R2R | Dec 22 2018 | WiN: 13.2 MB | OSX: 33.4 MB

AU, VST, x86, x64

A pad synthesizer with soul.

Pads is a thriving and organic pad synthesizer. It consists of a wavetable synth with a noise/grain generator and a high cut filter. With a carefully developed ”wobbler” that detunes the waveforms and makes very small inconsistencies to several internal parameters and a nice sounding chorus, this synthesizer is able to create some really interesting and non-statical pad sounds.

Kuvert v1.0.1 WiN MAC

Team R2R | Dec 22 2018 | WiN: 6 MB | OSX: 8 MB

AAX, AU, VST, x86, x64

Envelope Shaper / A groundbreaking way of looping effects.

Kuvert defines a whole new way of dealing with effects. In short, Kuvert allows you to draw five different envelopes. These envelopes control different effect parameters, and can be drawn freely or onto a grid. The envelopes are looped, while the incoming audio isn’t (unless you’re feeding it looped material of course). This is a powerful & fun way of altering your sounds to reach a whole new level, sometimes not even recognizable! Thanks to the looping nature of the plug-in, it will fit very well into any musical context. One way of using it would be to revitalize any looped material (such as beats) within just a few seconds.

Esspresso v1.0.1 WiN MAC

Team R2R| Dec 22 2018 | WiN: 3.2 MB | OSX: 8.1 MB

AAX, AU, VST, VST3, x86, x64

Finally, a de-esser that doesn’t suck.

Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix. These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix. The uniqueness of Esspresso is that the detection frequency range isn’t coupled with the suppressors frequency range. That means you can listen to a specific frequency and compress another one, which is often what you’ll want from a professional de-esser. With a fast and accurate frequency response view, you will easily get full control over annoying S-sounds that otherwise can ruin the mix.

Jussi v1.0.3 WiN MAC

Team R2R | Dec 22 2018 | WiN: 10.6 MB | OSX: 30.4 MB

AU, VST2, x86, x64

A golden throat at your fingertips.

Jussi emulates male voice vowels in a unique way. Thanks to a set of powerful parameters you can make Jussi sing anything from soft and airy choir-like vowels to hard and angry shouting. Formants are controlled by playing with different velocity, which makes it fun and easy to play using a MIDI keyboard.