Frosting is a simple but powerful audio-freezer effect for your DAW. It can be used for all sorts of interesting audio manipulations: rhythmically gate a sound, create glitchy, stutter or beat-repeater effects, turn anything into a pulsating drone or just use it as a minimalistic looper
Improve the quality of your headphones, simulate a wide variety of brands and models, or customize your own headphone sound with TB Morphit. Every headphone has its own, characteristic sound. Did you ever consider how the specific sonic attributes of your cans change your mixing results? Do you ever wonder how your mix would sound on different headphones? Virtually every existing headphone introduces unwanted changes to the audio. TB Morphit helps to reduce these unwanted artifacts by improving the response of supported headphones. Moreover, it can simulate the sound of any of the other supported headphones. Hear how your mix translates from one set to another. Monitor how your mix will sound for your audience. This is especially important since several market studies have indicated that the majority of audio content is actually consumed over headphones. For this purpose, Morphit does not only include studio headphones, but also includes stock ear buds.
mvMeter is a multivariable meter including RMS, EBUR128, VU and PPM measurement.
Impress is a wideband stereo compressor including side-chaining, various prefilter options and state-of-the-art over sampling. The goal of the design was to cover a broad range of compression applications in today’s mixing and mastering situations with strong focus on low aliasing. So, Impress could be used to shape subtle a snare sound, glue different tracks on instrument bus and even do complex tasks like deessing or voice over’s.
VLA-2A – the world‘s finest emulation of THE opto electronic compressor of the late 1960s. After many hours of hard work, calculus and matching we finally bring you the VLA-2A plug-in. We have put all our knowledge, engineering skill and heart into designing the most authentic native emulation of this unit to this date. We love to use the VLA-2A on drums, but it also performs outstandingly well on bass or vocals and carefully adjusting the compression really helps to make your signals shine and just sit in the mix.
Everything, in one place. All the utilities from the top and bottom of a console channel.
