TDR VOS SlickEQ GE v1.3.7 WiN

P2P | 26 October 2021 | 9 MB

..:: AAX, VST2, VST3, x86, x64 ::..

TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands. SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high quality analogue audio gear, up to more obvious saturation.

TDR SlickEQ M v2.0.5 WiN

P2P | 26 October 2021 | 21.24 MB

..:: AAX, VST, x86, x64 ::..

TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. Specifically developed for the audio mastering engineer, no compromises have been made to deliver an exceptional musical flexibility and audio fidelity. Behind an intuitive user interface hides as staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. Six powerful parametric filter bands give precise access over tone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.

Material Comp v1.0.5e MAC

Team FLARE | 07 July 2021 | 155 MB

..:: AU, AAX, VST2, VST3, 64Bit ::..

Added MORiA VERSiON

A cutting-edge compressor that is equipped with ”DFP(Division of Force Processing)” a technology that VQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit. Mastering grade signal processing technology can be achieved with an extremely low CPU load. The internal processing is fully 64 bit and produces sounds with unbelievable transparency.

DMS Plugins Bundle WiN MAC

Team FLARE/R2R | 26 October 2021 | MAC: 713 MB | WiN: 713 MB

..:: AAX/AU/VST/VST3/x64 ::..

MetaPlugin 3 v3.9.71 MAC

SPTNDC | October 24 2021 | 40.5 MB

PLATFORM: MAC32/64 – AU/VST/VST3

Metaplugin is a plugin that loads other plugins. As simple as that. Build your own effect networks with this plugin wrapper using any VST/VST3 (and AU, if you’re on Mac) effect you already have on your harddisk. To get you started, a Mid-Side matrix, a fourband crossover filter and a routing plugin are included in the package. This means instant cross-track routing, mid-side, multiband compression/distortion/reverb/… you name it. Of course that’s only the beginning… let your imagination run free, nothing is impossible, from creating your own layered synth sounds to building whole sound generators from scratch using simple modules.

Goliath 2 v1.5.0 WiN MAC

Team R2R | 2021.10.24 | WiN: 16.7MB | OSX: 56.8MB

PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

OptoRED v1.1.0 WiN MAC

Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.