Ravage v1.0.1 WiN MAC

P2P | 25.11.2018 | 49.77 MB

AAX • Audio Units (AU) • VST • VST3

Get heated overdrive with added life and movement – choose from six types of distortion, shape your signal with filtering and gain, and modulate the results with custom-drawn LFO shapes. Select from six modelled distortion algorithms: Tube, Digital, Diode, Linear Fold, Zero Sq and Rectify, each with a different personality for adding grit and dirt to audio. Use the Drive control to push the signal harder, and use the Destroy parameter to fully smash up any audio. There are high- and low-pass filters onboard, as well as a Dark/Bright slider to weight the distortion’s energy. Animate your distortion in Ravage’s Movement panel, which lets you assign modulators to one of eight destinations including Drive and Pan. With draw-your-own modulator shapes, you can customize an LFO’s movement using nodes and curves to whip up customised patterns. To take your modulation further, Ravage offers playhead reversal, waveform smoothing and pulse width manipulation.

Velo2 v1.0.1 WiN MAC

TEAM R2R | 17th Feb 2019 | WiN: 5.3 MB | 22.8 MB

AAX, AU, VST, VST3, x86, x64

After the soaring success of the original Velo, we thought it only right to take things to the next level!! You asked for additional features and we listened! Velo2 has been reworked from the ground up with an improved algorithm and additional sonic features such as lookahead and oversampling, combined with a sleek new retina ready interface, making this update a must have for all producers. The Velo2 is a brick wall limiter for maximizing loudness that features different options to influence colouration and transient preservation. As Velo2’s adaptive release makes the plug-in react quickly to the incoming signal, it’s a well-suited limiter for mastering any style of rhythmical music with pronounced transients, along with bus-processing beats, drums and rhythmical bass, guitar and synth parts.

Hiku v1.0.1 WiN MAC

Team R2R | Feb 17 2019 | WiN: 6.5 MB | OSX: 33.3 MB

AAX, AU, VST, VST3, x86, x64

Punch, Warmth and Presence, instantly

Give your masters, buses or individual tracks extra polish with this smart effect. HIKU might only have three controls, but under the hood, there’s a precise mix of processing tailored to add warmth, power and clarity to any audio signal. As well as sounding great on single tracks or groups, HIKU is a vital stage in any mastering chain.

Toned-MAX v2.0.0 AU 64Bit macOS

DDP | 17 February 2019 | 5.9 MB

Easy & Creative Tone: Toned-MAX is a versatile digital equalizer plugin with analog modeling. Although Toned-MAX can be used creatively on individual tracks, it shines at mastering and bus tracks. More than a basic EQ, Toned-MAX includes many different visual features for monitoring the signal, and controls for shaping the output.

PTM-5A v3.0.0 MAC

iND | 17 February 2019 | 5.1 MB

Vintage Pultec Mid Range EQ Plug-in

Emulating the classic vintage Pultec MEQ-5 mid-range EQ, the PTM-5A replicates the sought-after passive filter character of the original, providing a versatile equalizer capable of subtle sonic enhancement or adding more obvious bite to the mid-range to help elements of the mix stand out. Ideal for acoustic instruments, drums and vocals, the PTM-5A perfectly complements the more familiar PTC-2A vintage Pultec EQ, much the same as the hardware MEQ-5 and EQP-1A units.

Double MS v1.0 WiN MAC

Team R2R | 15 Feb 2019 | WiN: 4.3 MB | MAC: 3.32 MB

PLATFORM: WiN64 – VST3/AAX(MODiFiED) | MacOSX – AU/VST3

Decode Double-MS Microphone Setups in Post Production

This plugin is calibrated for the Double M/S Microphone, but it will also work with any other Double M/S Mic Setup. It will provide optimal results only on tracks that have been recorded with a 3-microphone (Double M/S) setup. The “Double MS Tool” plugin decodes the three signals of the Double MS system. It creates a 5.0 Surround signal on the basis of three microphone signals. The plugin enables customized, intuitive decoding on a realtime WYSIWYG basis. With the plugin the spatial and timbral fidelity of the resulting 5.0 Surround signal can be optimally achieved.

Mono Upmix v1.0 WiN MAC

Team R2R | 15 Feb 2019 | WiN: 4.4 MB | MAC: 3.28 MB

PLATFORMS: WiN64 – VST3/AAX(MODiFiED) | MacOSX – AU/VST3

From Mono To Stereo & LCR

The Mono Upmix can generate Stereo and even LCR channels from any mono signal and works great on voices in Post Production, synth in music production, as well as bass, guitars, drum room mics, vocals, etc. It adaptively extracts the diffuse sound in the mono input signal to create an upmix signal. As the diffuse sound should always be reproduced decorrelated on different stereo channels, the up-mixed signal sounds more natural than the original mono track. The Mono Upmix is often superior to a reverb as it doesn’t add reverb but uses the present diffuse sound. Furthermore, it’s possible to control the perceived source distance and panning position by generating early reflections. The Mono Upmix plugin performs great with mono location sound dialogue as well as spot microphones in a music recording.