OCELOT Clipper v1.0.0 WiN MAC

Team R2R | 10 April 2025 | 25MB

PLATFORM: AU/VST2/VST3/AAX

…: Crafting Loudness :…

Welcome to a streamlined approach for managing loudness without sacrificing quality or introducing unwanted artifacts. The OCELOT Clipper is your ultimate tool for peak reduction and mastering dynamics, empowering you to create more headroom and deliver energetic mixes. Its intuitive interface keeps the focus where it matters – on your music, not the knobs.

Mastering Compressor macOS

MORiA | 11 April 2025 | 40MB

…: AU | VST2 | VST3 :…

Shadow Hills Mastering Compressor – Tame your dynamics with tremendous tone and precise control The supreme tycoon of master bus compression Meticulously modeled by Brainworx after the instantly legendary hardware original, no details have been spared in crafting this digital version of one of the most musical and versatile compressors out there. A well known staple in the music industry, the Shadow Hills compressor easily tames even the most unruly and chaotic transients with flawless control and amazing tone. It’s no wonder that it has been the go-to buss compressor on timeless records by Radiohead, Foo Fighters, Beck, Green Day, Coldplay and countless others.

Blue Tubes Bundle v4.0.1 WiN

Team R2R | 16 March 2026 | 84.14 MB

PLATFORMs: VST2/VST3/AAX(MODiFiED)

The Blue Tubes Bundle v4 is the complete collection of Blue Tubes processors, bringing together 19 plug-ins covering equalization, dynamics, modulation, saturation, delay, imaging, and channel processing. Originally conceived in the early days of digital audio to reproduce the warmth and musicality of analog studio equipment, Blue Tubes has become a recognizable toolkit for producers and engineers who value character, saturation, and tone over sterile processing. With tools covering all core mixing tasks, this collection is particularly well adapted to R&B, Hip-Hop, Rap, Pop, and Rock productions, where analog character and musical processing remain highly valued.

GrandEQ v1.1.0 WiN

MOCHA | 13 April 2025 | 69.5 MB

GrandEQ represents the state of the art of equalizer algorithms. The goal in digital equalizer design is always to reduce the amount of digital artefacts which are introduced due to the necessarily finite sampling frequency. In its minimum phase setting, GrandEQ manages to do just that to an extent larger than most other EQs, and notably both in the amplitude and in the phase domain, while introducing only a very small amount of latency. The result is a very open and clear sound with, at the same time, excellent CPU efficiency. Its linear phase setting stays completely in the time domain, using an elaborate time-reversal algorithm and 2-fold oversampling to ensure excellent amplitude and (flat) phase response with the lowest possible amount of digital distortion.

LISA v1.2.1 WiN

TCD | 14 May 2024 | 18.2 MB

A new way to apply dynamic EQ

LISA is the only tool of its kind: An all-analog dynamic EQ, featuring a dedicated opto compressor cell for each of its 6 bands. This exacting model of the original brings a new way of applying dynamic EQ to the digital domain. Now you can take advantage of the character and workflow of this boutique mastering-grade hardware in the box.

Infiltrator v2.5.22 WiN

Team R2R | 15 March 2026 | 23.5MB

The Multieffect Evolved

PLATFORM: x64/VST2/VST3/AAX(MOD)

Jaw-dropping effects, expressive control. Infiltrator could be your new secret weapon.

Bass Focus v1.0.4 WiN

Team R2R | 15 March 2026 | 19.6 MB

Bass Focus is a low frequency enhancer for mixing and mastering. It helps bass to sound fuller, louder and more powerful, on all speaker systems; without sacrificing headroom. And on smaller speakers, it reveals low-end which would otherwise be lost. Helping your music to sound its best, even on mobile phones and portable devices. The plugin can be used as a channel insert to enhance individual instruments, or applied to theentire mix. It can add power to 808s, solidify kick drums, thicken synths and bass guitars, and much more. At the mastering stage, it can improve mix translation and presence, thicken the low-end, and recover headroom in problem mixes with too much sub.