VST Live Pro v2.2.60 WiN

Team V.R | 22 August 2025 | 407.05MB

Make your live easier with VST Live, the ultimate live performance system. A unique, stable software solution, it is designed for musicians who want to put on a great show, including sound, lights and video, wherever you are. VST Live comes with a vast array of virtual instruments, sync features for your music, text and chord symbol displaying on other devices, video, Cubase import, MIDI tracks for direct DMX light control and much more. From practicing at home to rehearsing with your band; from solo shows in bars, clubs and at small parties to full band shows and big stage productions, the wide-ranging facilities of VST Live make it the right choice for everyone.

Ampbox v1.6.3 macOS

Team MORiA | 19 June 2025 | 433MB

..:: AU, VST, STANDALONE, VST3 ::..

It’s an ever-evolving platform for all* our products, current and future. You will get Ampbox for free when purchasing one of the supported plugins*. The platform has everything you need to create perfect tones with just one plugin. It’s simple, elegant and versatile. Powered by Mercuriall Neural Hybrid Engine v1.5 technology.

Pigments v6.0.3 MAC

MORiA | 19 June 2025 | 1.6 GB

(AU, AAX, VST3, VSTi, STANDALONE)

Pigments Polychrome software synthesizer. | Pigments is a state-of-the-art software instrument that gives you the power of every shade of synthesis. With colorful, expressive sound engines, effortless modulation, professional utilities, and studio-grade FX, explore an infinite spectrum of sound. The fastest way to the sound in your head. Quickly craft the ultra-fat, hard-hitting, soul-stirring sounds you need with a software synthesizer that’s powerful, versatile, and easy to use.

Primo v1.4.1 WiN

MOCHA | 18 June 2025 | WiN: 5.82MB | MAC:21.86MB

The soul of PRIMO is a boutique handmade Italian amp, but forget about circuit modeling and static tone snapshots, this is something else. In our vision, the analog tube amplifier is just the starting point, the pencil drawing behind a colorful painting. Our AI, learning from the “real thing”, has crafted two beautiful channels: CH1 for everything from cleans to juicy edge-of-breakup tones, and CH2 for roaring crunch tones and searing leads.

PatchWork v2.73 WiN

TCD | 18 August 2025 | 63.8MB

x64: SAL, AAX, VST3, VST2 | x86*: SAL, VST3, VST2

“The virtual patchbay for audio plug-ins”

PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

Egoist v1.6.3 WiN MAC

TEAM R2R | 17 August 2025 | WiN: 11.9MB | MAC: 44.1MB

Library WiN: 528 MB | Library MAC: 693.72 MB

PLATFORMS: WiN64 – EXE/VSTi/VST3/AAX | MacOSX – APP/AU/VSTi/VST3/AAX

Egoist is a groove instrument. Load any audio file and squeeze the groove out of it!. Try your mp3 library and use it as a sound source! The additional onboard bass, beat and fx units make Egoist the perfect track sketch tool in the studio and on the road. Quick + Easy track sketching, based on sample slicing, Minimal, yet effective bass line, Unique beat box with more than 1000 drums from vintage to electronic

VOX Super Continental WiN MAC

Team R2R | 17 August 2025 | WiN: 91.8MB | MAC: 159MB

..: STANDALONE | AAX | AUi | VST3i | x64 :..

The legendary VOX Continental organ is faithfully recreated in software as the VOX Super Continental! Originally conceived in the early 1960s as a more portable and affordable alternative to tonewheel organs, the VOX Continental’s distinctive sound – and its sharp red-and-black design – soon made it a staple of “British Invasion” bands. The Continental’s bright timbre and brash attitude fit perfectly with jangly guitars, and easily cut through the mix on stage and in the studio. Production stopped around 1970, but a new generation of ska, garage, punk, and new wave bands adopted the instruments in the ‘70s and ‘80s. Weathered and worn through decades of use, and none-too-stable to begin with, the instruments tend to be charmingly out of tune. As the key contacts aged, each note started to sound slightly different. With this unique voice, a combination of electric tone and vintage character, the Vox Continental is a fixture of stage and studio – particularly in indie music.