Phrazor is a virtual synthesizer workstation. It comes as a standalone version and can also be loaded into any VST compatible host. Phrazor’s concept follows a completely new outstanding approach. It combines traditional elements with unique features for rapid productions and livesets. It’s compact and exceedingly flexible all the same.
Harmonic’s Rhozet® Carbon Coder Loudness Normalizer and True Peak Limiter Using the loudness normalization doesn’t mean that the loudness will be constant during the whole program, but in this way, the average loudness will be the same for all the programs. So, you can change your loudness level according to your artistic needs, using (in most cases) a greater dynamic range than with the classic peak normalization. That means you don’t have to worry about the listener being disturbed, because the average loudness of the whole program will be equal with the target value that you choose. This is useful in all the stages of the broadcasting: production, distribution and transmission.
ALM 5.1 is designed as a key component in your mixing workflow. Based on the new ITU, EBU and ATSC loudness standards, the plugin offers you full Loudness and True Peak Metering for Mono, Stereo and 5.1 channel formats featuring measurements for Momentary, Short Term and Integrated Loudness, with Loudness Range and Max True Peak Level. Wheter your want to target the loudness (-23 LUFS,according to EBU specification, or -24 LUFS, according to ATSC specification) or you want to use the relative gate of -10 LU, ALM 5.1 is all you need to control the loudness of your audio material. Both LU and LUFS scales are available, also, you can set the start and the stop of your measurements or you can simply let the plugin do it by following the host transport.
Audio Loudness Meter Extended 5.1 – Standalone, Audio Loudness and True Peak Meter application, with extended features BS1770 and EBU R128 compliant. Taking the idea behind the ALM 5.1 plugin a step further, we developed a standalone application, with extended features, that offers more control and power, allowing you to use it in more complex situations: the ALMx 5.1 (stands for Audio Loudness and True Peak Meter with extended features). The application was created as an aid for the television networks and media services providers. Recommendations regarding loudness levels exists in many countries, some of them have already implemented the standards as law, while others are in the legislative process. Just like the ALM 5.1 plugin, the driving forces behind the application are the algorithms developed according to the international broadcast standards (BS-1770, EBU R128, ATSC A/85), based on research and perception tests.
Create tight rhythms, harmonies and melodies in moments with MASCHINE – the highly enjoyable instrument that combines a pattern-based sequencer, professional sampler, multi-effect unit and VST/AU plug-in host. Everything is intuitively controllable via the fully integrated hardware – once you touch the tactile controller the fun and intuitive workflow takes over, allowing you to stay focused on what matters – the music.
The only thing that sounds even better than the original: the original – optimized using MAGIX Audio & Music Lab 2014 Premium. This high-quality together different tools for digitizing, editing, and optimizing your audio files in a software leaves no wish unfulfilled. And at least if you play your sounds optimized for the first time, you will realize what really makes a high-quality audio solution. Experience your video and audio recordings in the future with impressive sound quality…
The VOX Continental V is our latest vintage keyboard recreation, bringing back the classic sound of the famous VOX Continental 300. This classic organ was used on some of the most famous songs by the greatest bands of the 60’s, 70’s, 80’s and beyond, the VOX Continental V will give you instant access to these hit making sounds and more.
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