Music My Son Max For Nebula 3

Team MAGNETRiXX | 10 February 2014 | 22.55 MB

Sampled 441 samples @ 44.1khz, this is inspired by the sonic maximzer with slight variations in the analog path where you get a warmer and more natural response with ‘My Son Max’. A lot of focus has been on color and character gear in the Nebula community, so this is more a utility.There is a Low and Hi parameter basically adjusting phase relationship to bring forth the inherent clarity of a recorded source. It can bring punch along with the clarity in conjunction with EQ’ing.

Tube Booster For Nebula Pro

Team MAGNETRiXX | 10 February 2014 | 17.31 MB

Tube Booster has been created to provide the authentic sound of a valve line driver, or level amplification stage. It is a dynamic program with a complex process for adding a special harmonic saturation with little side effects to frequency spectrum. It has been created to have equal effect at multiple sample rates, and has been pre-edited for Low, Medium, and High amounts of signal drive. Tube Booster can be used at lower levels than the programs for more subtle effects. This can be useful on its own and in combination with VTC programs and consoles, tape machines, and anywhere that the user wishes to impart the vacuum tube harmonic characteristics to their signal chain. It can be added to your rendering chain, used on its own, and used in multiple instances.

Boss Of The Trap Maschine Expansion Update

Team MAGNETRiXX | 10 February 2014 | 1.99 GB

The corner stone of “THE TRAP” sound is hot Brass Sounds, Banging Drums, Fat Leads and Synths, and of course the 808 sub sound. Well the Boss Of The Trap expansion is perfect for the Dirty South and Trap music styles! The Boss Of The Trap Expansion provides the tools you need to produce the hottest Trap music and make you a Trap Beat Legend. So if you Want that authentic Dirty South Trap sound for your Maschine?

VCult For Nebula 3

Team MAGNETRiXX | 10 February 2014 | 103 MB

VCult, a new program library for Acustica Audio Nebula.

VCult is based on a unique distortion/coloring box: The Culture Vulture. It can range from subtle distortion to more obvious color and character. The distortion is derivative of multiple tubes including 6AS6 as the main source. This library will give the flexibility between adding weight and color or obvious tone shaping. Both presets, on all settings, will create “fullness.” Preset “P6” is inherently darker, rounder, warmer, and even fuller than preset “T”. Use P6 for solid and thick vibe with obvious tone right off the start.

Ableton Final Mix Template

Team MAGNETRiXX | 10 February 2014 | 403.77 KB

Give your tune a properly balanced, professional mix with this custom template designed by R/D and Twin Peaks Studios. Uses only Ableton Live native plug-ins. No third party plug-ins necessary. Pre-grouped tracks with simple, effective control over EQ, Compression, Limiting, Panning and Gain. Preset channel strips that carve the proper frequency range for each instrument and sound. Allows for cleaner low end, a more dynamic stereo field and a better Master! Years of professional mixing experience have been injected into this powerful, easy-to-use template!

So Transcited for Nebula 3

Team MAGNETRiXX | 10 February 2014 | 153 MB

Based on a custom analog chain that detects transient information. This preset can then grow harmonic content based on the transients. This is a psychoacoustic tool and can be used for sculpting a sound like an EQ but while an EQ boosts what’s there, So Transcited adds to what’s there. With virtually the same output, using a natural consequence of saturation, it can make percussion sound dense, louder, and exciting. Of course, it can be experimented on other instruments.

Ableton Live Mastering Template

Team SYNTHiC4TE | Feb 10 2014 | 1 MB

Get your tunes loud and clear with this custom Ableton Live Mastering template. Designed by R/D at Twin Peaks Studios. Uses only Ableton Live native plug-ins. No third party plug-ins necessary.
Simple, effective controls: Gain, Low EQ and Hi EQ. The magic lies in ‘Bass Management’ which cleans up low end by ridding the Master chain of unnecessary low frequencies. This allows your sub to hit the limiter harder and cleaner. It gives the overall tune more gain and less compression. For an even louder, more clarified Master, swap the Ableton limiter for your favorite VST limiter like Ozone.