EMX Rooms & Verbs v1.0.0 WiN MAC

TEAM R2R | 28.12.2016 | 19.33 MB

If you ask a group of mix engineers what they would keep if they were forced to strip their rigs down to a minimum, a solid source for ambience would likely be at the top of most people’s lists. Reverb is a key ingredient in any great mix, regardless if it’s an epic ballad or a thunderous metal track. It adds that subtle air, breathing room and has the power to elevate even the most mundane of material. Try it – mute all your ambience sources in a mix and you’ll see. With that in mind, getting real rooms and reverbs takes it to a whole new level.

EMX Big Rock Guitars v1.0.0 WiN MAC

TEAM R2R | 28.12.2016 | 9.58 MB

Some guitarists hit notes thirty, or even forty, years ago that seem to resonate just as vividly now as back then. We’re talking about the icons – the flag bearers of the big guitar tones that changed the fabric of rock and whose legacy to this day keep trickling down to new generations of players across the globe. This is where the Big Rock Guitars EZmix Pack is rooted – deep in the midst of the bursting ‘70s classic rock scene. But even if this collection blatantly nods at times gone by, it still aims to paint a picture of rock guitar as a whole, vintage or not. This is a tribute on a broader scale – to the amps, the players, the riffs and the past 40 years of guitar-driven music. Expect all the tones you need for your deafening, tube-sizzling rhythms, your flange-infused twang and, of course, all your soaring leads. Regardless of whether you’re a writer of classic or modern rock – this collection’s got you covered. Get your guitar out, school’s in session.

EMX JamTrack Amps v1.0.0 WiN MAC

TEAM R2R | 28.12.2016 | 13.21 MB

Showcasing an incredible width, this collection gives you lead, rhythm, clean and various effect-saturated settings spanning genres like metal, rock, jazz, fusion and blues – all directly modeled and EQ-matched from the personal tones of five of the world’s greatest guitar players: Jack Thammarat, Marco Sfogli, Josh Smith, Martin Miller and Tom Quayle. This collection of guitar tones for EZmix 2 was crafted in collaboration with Jam Track Central, the number one training community for guitarists online. It was designed to display the incredible scope of the tones that some of the players at the top of the site’s roster call up for their day-to-day business. Expect anything from earth-shattering rhythm settings and brittle leads tailored for metal and heavy rock to warm tube-fuming blues-fuzz, the subdued elegance of jazz and an abundance of distinct fusion tones ready to cut through in any mix.

EMX Forrester Savell v1.0.0 WiN MAC

TEAM R2R | 28.12.2016 | 11.17 MB

Since graduating from the West Australian Academy of Performing Arts in 2000, Forrester Savell has worked out of the famous NRG Studios in Los Angeles, engineered and co-produced alongside some of the top names on the west coast, relocated back to Australia and landed himself two Producer of the Year ARIA Award nominations, three gold certified albums and several high profile projects. Needless to say, in a relatively short time Forrester Savell has established himself as a go-to name in the heavy rock community. Some of his most critically acclaimed work includes defining albums by the likes of Karnivool, Dead Letter Circus and The Butterfly Effect – all productions with dense, intricately layered landscapes of sound, widely considered cutting edge in modern rock production.

EZkeys Cinematic Pads v1.3.0 WiN

Team V.R | 11 June 2021 | 281 MB

A CREATIVE COSMOS.

A new hybrid instrument for EZkeys, literally as diverse as the universe. For most of us, the anatomy of sound and its inner workings as a creative catalyst is a peculiar thing. The moment we hear something we can’t define – a new instrument – our minds inevitably open up to interpretations beyond the convention. Sound becomes visuals that in turn transform into tangible ideas. This library of sounds for EZkeys is a prime example of just that. EZkeys Cinematic Pads is based around several analogue and modular synths as well as a vintage grand piano and an electric bowed guitar. Together, these components form a never-before-heard hybrid instrument of reverberant, peculiar, fluttering, ominous, visceral, fluid and literally out-of-this-world audio landscapes. With this at hand, you’re an intrepid explorer at the helm of an audio vessel headed straight into the unknown – weightlessly drifting through an interstellar cosmos en route to uncharted sonic frontiers. If you let yourself go, you’ll enter a realm where the divide between reality and dream is nothing but a lucid gradient ready for you to pierce though.

British Invasion MiDi

P2P | 14 October 2020 | 27 MB

British Invasion EZbass, EZkeys, Grooves MiDi

A BASS INVASION!

EZbass MIDI inspired by the bassists and rock bands of the 1960s ‘British Invasion’ era. Who can deny the impact of Paul McCartney’s melodic mastery, Bill Wyman’s thud-like blues rhythms or John Entwistle’s ferocious escapes on the fretboard? In many ways, the ‘British Invasion’ era didn’t just redefine the role of the bass player in a band but also the bass guitar as something much more than merely a frequency in the back of the mix. Now, it was okay with a bass growling, distorting or recklessly gobbling up mouthfuls of prime mix real estate. In other words, the bass finally got its due. This EZbass MIDI pack was recorded in tandem with the British Invasion MIDI packs for drums and EZkeys but should at the same time be considered as something that stands firmly on its own. Expect solid basslines and melodic hooks – all inspired by the time when not only Britain conquered the airwaves but very much so also the bass. Let the bass invasion begin!

Progressive EZX EXPANSiON WiN

P2P | 30.05.2016 | 2.03 GB

SOUND EXPANSION FOR EZDRUMMER 2

The Progressive EZX features a custom selection of content from The Progressive Foundry SDX for Superior Drummer 2. It comes with three complete kits recorded by engineer/producer Forrester Savell. With credits on defining albums by bands like Karnivool, Dead Letter Circus and I Am Giant, Savell has shaped a few of the most sonically progressive productions in the modern Australian metal and heavy rock scene. The drums were captured at the Sing Sing Recording Studios in Melbourne, Australia. During its more than 35 years in business, the studio has collected a vast selection of top tier microphones and rare outboard gear. Combined with the dense wood-lined walls in its perfectly balanced A-room, Sing Sing has proven time and time again to be the perfect environment for broad, transparent drum recording. The drums, which were sampled by Karnivool’s own Steve Judd, include carefully selected kits from DW, Ludwig and Pearl.