🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • Body Mechanik EXPANSiON

    Body Mechanik EXPANSiON

    P2P | 16 April 2021 | 407.37 MB

    A COLD WORLD

    In early 80s Europe, a new movement of artists turned post-punk aesthetics to sequenced beats and synthesized sounds. Electronic Body Music was the result – pushing hard, industrial sounds, mechanical synth loops, and relentless experimentalism. BODY MECHANIK explores the development of EBM from its early new wave incarnations to the kind of main-room industrial techno that has ignited Europe’s most hallowed dancefloors over the last few years. Expect sampled grooveboxes and industrial kits, distorted bass, punctured synth stabs, and metallic FX kits for relentless sonic exploration.


    Viewed 16305 By Music Producers & DJ´s.


  • N.Mason Kit for BFD
    June 18th, 2021 ⚡
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    N.Mason Kit for BFD

    N.Mason Kit for BFD

    DiSCOVER/SYNTHiC4TE | June 20 2014 | 1.74 GB

    The Brotherhood Release

    For the first time in 40 years, drummer Nick Mason of Pink Floyd and recording engineer/producer Alan Parsons are reunited in the studio with producer Dave Kerzner of Sonic Reality to capture and preserve a classic drum sound.Nick Mason Drums from Sonic Reality captures the iconic drum sound of legendary drummer Nick Mason of Pink Floyd. With samples recorded by Alan Parsons, the original engineer who recorded Pink Floyd’s epic album “Dark Side of the Moon, using the same classic EMI mixing console as they did in the 70s, these vintage drum samples couldn’t be more authentic. Now these timeless drums can be used in your music with the Nick Mason Drums BFD Kit!


    Viewed 8333 By Music Producers & DJ´s.


  • Betelgeuse Zebra2 SOUNDSET
    June 18th, 2021 ⚡
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    Betelgeuse Zebra2 SOUNDSET

    Betelgeuse Zebra2 SOUNDSET

    P2P | 18 Dec 2020 | 1.26 MB

    Betelgeuse is a brand new soundset of 150 patches for u-he’s Zebra2 synth. Betelgeuse is a collection of malevolent, dramatic and damaged sounds. A well balanced blend of organic and synth sounds specially designed for widescreen scores. Betelgeuse is the darkest collection for Zebra2 inspired by the music of Ben Frost (Dark), Hildur Gudnadottir (Chernobyl), Kyle Dixon & Michael Stein (Stranger Things) and Charlie Clouser (Saw). Betelgeuse also uses pitch shifting techniques to bring that slightly unstable and drifting analogue feel.  Blood pounding basses and basslines, suspenseful percussion loops, dramatic leads and pads, deep infernal soundscapes, dynamic and intriguing emotive sequences, sinister keys and mallets going out of tune, an amalgam of bizarre noises infused with tension and drama which are a delight for cinematic compositions.


    Viewed 31586 By Music Producers & DJ´s.


  • G-20 Vocality for Nebula 3 DVDR-KRock
    June 18th, 2021 ⚡
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    G-20 Vocality for Nebula 3 DVDR-KRock

    G-20 Vocality for Nebula 3

    Team KRock | February 20 2013 | 995.39 MB

    So you want arguably the cleanest channel strip that money can buy on your vocals? Haven’t you heard that just about every major studio has one and that they often use it on the master bus. This superlative chain of a Pre amp fed into the most transparent analog eq may be the ticket. With wide overlapping bands the tone shaping capabilities of this strip are just nothing short of incredible. The preamp alone although very transparent allows through much of the low end that other preamps shave off and with an extended high end will give your tracks a beautiful lift. Sculpted to simply place on your master bus, listen to your mixes take on a wonderful colour. You will appreciate the extra clarity you get in the top end as well. This channel strip is made for high resolution mixing and imparts very little evidence that it was there apart from a slight hardness. It is not soft but razor sharp in character. With a superb impulse response and extraordinary precision, your mixes will just shine no matter how busy things get. From country, to R & B to folk and everything in between, sculpt your track with the ease of a high end studio. Again for more flexibility use a transparent vst EQ in front of the preset to sculpt your sound.


    Viewed 12498 By Music Producers & DJ´s.


  • Pultec Mojo 192 khz for Nebula 3-SYNTHiC4TE

    Pultec Mojo 192 khz for Nebula 3

    SYNTHiC4TE | Feb 19 2013 | 423 MB

    This is an exquisite sampling of an EQ that has graced many a great album. This is an exquisite sampling of the tone of a famous Equaliser with a wonderful valve tone. You can now easily get closer to the original hardware’s sound by using this set in conjunction with the highly accurate T-racks ™ Vintage Tube Program Equalizer or the UAD offering. Full commercial package size is 432 MB. Provided at 192 khz, 96 khz and 44 khz.


    Viewed 8903 By Music Producers & DJ´s.


  • Girthy Vocals 192 khz for Nebula 3-KRock
    June 17th, 2021 ⚡
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    Girthy Vocals 192 khz for Nebula 3-KRock

    Girthy Vocals 192 khz for Nebula 3

    Team KRock | February 20 2013 | 666.72 MB

    A beautiful EQ that adds just the right amount of colour to your vocals. Using wide musical bands this can truly give you that girthy sound on vocals. Because the bands are fairly wide you can use these on almost any instrument you wish to enhance in the sweet spots. This is a cutting edge library guaranteed to make your tracks sound smoother and classier. You will be amazed at how someone had placed a sock over your digital files. Sampled at the highest sampling rate available to date in Nebula Libraries and delivered at that rate. Designed to work best at 96 khz. This means you need to be patient as the libraries load and resample internally if you are using the 192 khz versions. Don’t worry, the quality will speak for itself. You will be amazed at the improved transient response.


    Viewed 7798 By Music Producers & DJ´s.


  • Roiher Ribbon R-One22 for Nebula 192 khz
    June 17th, 2021 ⚡
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    Roiher Ribbon R-One22 for Nebula 192 khz

    Roiher Ribbon R-One22 For Nebula 192 khz

    P2P | 03.03.2015 | 266.4 MB

    This sampling is part of the Microphone Locker Series. These presets need to be combined with my various preamps to really shine. They sound harsh on their own as I used very transparent tools to sample them, but plug them ‘virtually’ into one of my preamps to get them to sound right. A bright mic needs a soft preamp like the E-M-EYE and a smoother mic like the ribbons I offer need perhaps the brighter pres like the TCS ( API ). Up to you to experiment but that is why having the full array of my preamps can turn this collection into a powerful sound sculpting arsenal. This particular ribbon microphone has already become a modern classic, having the ability to take away that digital edge that is apparent especially in the high end. Layer on your tracks for that full vintage warmth that only the frequency response of a real mic can give. However the closer settings exhibit the proximity effect so do use an EQ or transparent filter to correct where appropriate. Sampled at three distances you should be able to have enough variety to use on a few choice instruments.


    Viewed 10852 By Music Producers & DJ´s.


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