StepicVST & Stepic4Live WiN

MOCHA | 21 January 2026 | 31.84MB

Stepic isn’t just a powerful and versatile polyphonic step sequencer. 8 additional and fully integrated modulation sequencers make it a true sound shaping tool. Use them to automate any parameter (e.g. Filter Cutoff, Wavetable Position, Effect Amount) of your favorite synthesizers or effect devices. With its support for MIDI CC, Stepic offers you parameter control for both software plug-ins and hardware devices. By assigning different tempos and sequence lengths to the modulation sequencers, Stepic lets you create deep, polyrhythmic parameter progressions that add a lot of motion and uniqueness to your sound. And if that’s not enough, bring the 200+ random generators into play ;-)

UAD Wrappers M4L AMXD

P2P | 16 September 2025 | 455.90 MB

Now you can use UAD plugins without having to open the GUI window every time you want to change a parameter. This combines the best of two worlds: the use of UAD plugins, and the ease of an Ableton native one. These UAD wrappers mimic all the visual behavior of the plugins. So the led lights will glow, the VU meter needles will move, the buttons can be pressed, the knobs will turn, and every other visual aspect will be like the original plugins’ GUI.

Performance Pack v1.2 ALP

ARTiCSTORM | 17 July 2025 | 11 MB

Open up new possibilities for live performance with four Max for Live devices. Control practically any part of Live with advanced macros, capture snapshots of your Set and deploy them later, instantly loop your current location in Arrangement View, and pre-arrange the structure of a song with clips that Live fills as you perform. Performance Pack is a set of Max for Live devices from Iftah that bring more creativity and flexibility to performing with Live. Each of the four devices offers an intuitive solution not yet found in Live’s built-in features to a particular performance-related challenge, whether it’s having complex, custom control over multiple parameters in one place, or simply looping your location more easily in Arrangement View.

Pitchloop69 v1.5 ALP

ARTiCSTORM | 07 January 2026 | 2MB

PitchLoop89 is a new pitch-shifting device inspired by the Publison DHM 89, created in collaboration with Robert Henke. Experiment with jittery glitch effects, delayed digital shimmers and outlandish vibrato in the studio or onstage.

CRACKD Vault All-Access Bundle

P2P | 19 December 2025 | 2.77 GB

What’s up, I’m Morgan — I’ve been a music producer, touring artist, and sound designer for 12 years. You might know me as half of the DJ duo FOMO. Over the past decade, my sounds and tools have been used in countless productions — helping fuel over 100 million streams across the dance music scene. I built CRACKD Records as a platform to share all my production sauce and forge the next generation of unstoppable producers.

EPROM Grind ⚛

Team ViP | 12 December 2025 | 2.52GB

EPROM Grind Gritty, punchy drums and dirty synths and FX. Created using an 8-Bit sampler that can burn EPROMs (Oberheim Prommer) and the DMX and DX drum machines to playback the EPROMs. Recorded through lovely high-end gear. This was an incredibly time-consuming process, very much a labour of love. It has been totally worth it, though! This pack is absolutely dripping with old-school character. Drum machines sampled: 808, 909, 707, Mbase, PO32, Cycles, ER-1 and more. Also given the 8-Bit Prommer treatment were various synths, modular synth sounds, custom vinyl drums & synths, acoustic drums and percussion, and even a snare create using layered firework sounds. Included are the samples from the old CustomDMX pack. Many of them have been remastered and tuned! These include all the stock sounds from the DMX. 2841 x wav samples with plenty of kits and instruments pre-mapped for Maschine, Ableton Live, Logic Pro Sampler, Geist, Kontakt and Battery.

Failure For MAX FoR LiVE

OHSiE | 24 March 2025 | 16 KB

Failure is our attempt to model overload bass.

Not simply the hyping of overtones, phase tricks, or even/odd distortion. We are chasing the particular feeling that comes with perceived loudness; the synesthetic shuddering of sound as it pushes against the limits of the recording medium. This can be used as a barely-there buttress creating a simmering loudening enhancement minus extra lufs, or all the way to heavy-handed have eyeballs rattling. As it is a perceived effect we’ve created a perceptual Moiré pattern that is Failure sensitive, encoded with feedback from the parameters to give immediate visual sense of this unique efx. We suggest you use it on the master, as a send, multiples on individual tracks, buses, side chained to kick-y things, creating sound designed mayhem, or simply as a visual interpolation. Don’t just produce, please Failure gloriously!