Expressive Chords is a Max for Live device for Live 12 Intro, Standard, and Suite that turns single notes into rich, dynamic chords. It helps you to explore harmonies, spark ideas, and perform expressive progressions with ease, especially when paired with Push.
Open up new possibilities for live performance with four Max for Live devices. Control practically any part of Live with advanced macros, capture snapshots of your Set and deploy them later, instantly loop your current location in Arrangement View, and pre-arrange the structure of a song with clips that Live fills as you perform. Performance Pack is a set of Max for Live devices from Iftah that bring more creativity and flexibility to performing with Live. Each of the four devices offers an intuitive solution not yet found in Live’s built-in features to a particular performance-related challenge, whether it’s having complex, custom control over multiple parameters in one place, or simply looping your location more easily in Arrangement View.
Now you can use UAD plugins without having to open the GUI window every time you want to change a parameter. This combines the best of two worlds: the use of UAD plugins, and the ease of an Ableton native one. These UAD wrappers mimic all the visual behavior of the plugins. So the led lights will glow, the VU meter needles will move, the buttons can be pressed, the knobs will turn, and every other visual aspect will be like the original plugins’ GUI.
Stepic isn’t just a powerful and versatile polyphonic step sequencer. 8 additional and fully integrated modulation sequencers make it a true sound shaping tool. Use them to automate any parameter (e.g. Filter Cutoff, Wavetable Position, Effect Amount) of your favorite synthesizers or effect devices. With its support for MIDI CC, Stepic offers you parameter control for both software plug-ins and hardware devices. By assigning different tempos and sequence lengths to the modulation sequencers, Stepic lets you create deep, polyrhythmic parameter progressions that add a lot of motion and uniqueness to your sound. And if that’s not enough, bring the 200+ random generators into play ;-)
EPROM Grind Gritty, punchy drums and dirty synths and FX. Created using an 8-Bit sampler that can burn EPROMs (Oberheim Prommer) and the DMX and DX drum machines to playback the EPROMs. Recorded through lovely high-end gear. This was an incredibly time-consuming process, very much a labour of love. It has been totally worth it, though! This pack is absolutely dripping with old-school character. Drum machines sampled: 808, 909, 707, Mbase, PO32, Cycles, ER-1 and more. Also given the 8-Bit Prommer treatment were various synths, modular synth sounds, custom vinyl drums & synths, acoustic drums and percussion, and even a snare create using layered firework sounds. Included are the samples from the old CustomDMX pack. Many of them have been remastered and tuned! These include all the stock sounds from the DMX. 2841 x wav samples with plenty of kits and instruments pre-mapped for Maschine, Ableton Live, Logic Pro Sampler, Geist, Kontakt and Battery.
Whether you want precise control over complex patterns or ways to generate new ideas, this Pack of Max For Live Sequencers will open up all kinds of possibilities in your music-making. Sequencers are a fundamental component in electronic music production, responsible for triggering samples and telling synths which notes to play. They can also be used for many other functions relating to making sound move, and they come in many different forms. In this Pack, you can get your hands on three different Sequencers built in Max for Live by Ableton device designers. Each Sequencer has its own quirks and potential uses, but they all promise rewarding and surprising results for anyone who spends time exploring them.
Not simply the hyping of overtones, phase tricks, or even/odd distortion. We are chasing the particular feeling that comes with perceived loudness; the synesthetic shuddering of sound as it pushes against the limits of the recording medium. This can be used as a barely-there buttress creating a simmering loudening enhancement minus extra lufs, or all the way to heavy-handed have eyeballs rattling. As it is a perceived effect we’ve created a perceptual Moiré pattern that is Failure sensitive, encoded with feedback from the parameters to give immediate visual sense of this unique efx. We suggest you use it on the master, as a send, multiples on individual tracks, buses, side chained to kick-y things, creating sound designed mayhem, or simply as a visual interpolation. Don’t just produce, please Failure gloriously!
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