The modern-day re-creation of the legendary tube EQ plug-in “RareSE”, can give your tracks the massive bass, silky air, and addictive warmth that made the original a studio standard. Juice your tracks with Mid/Side and Left/Right processing. Especially, created for bus processing and mastering with these features!
This first plug-in by Mx2 was the VTM-M2 Vintage Tape Machine. The VTMC-M2 Vintage Tube Mastering Compressor is the second release, providing a vintage tube mastering compressor.
BIAS AMP 2 is the ultimate virtual amp designer, authentically recreating the tone and feel of real tube amplifiers, while allowing you to mix and match components to create your ideal amp. You can use Amp Match to clone the tone of real hardware or a guitar track, or connect to the ToneCloud® to gain access to thousands of custom amps from artists and recording studios, or upload your own custom tones to the cloud. BIAS AMP 2 adds two new custom amp packs to your sonic palette. Blues is all about gooey clean to mid-gain amps, and Bass brings amps and speaker cabs just for bass guitars. Add in all of the custom component options, and you have literally thousands of custom amps at your fingertips. There’s nothing else like it! BIAS AMP 2 represents a revolution in virtual amplifier design, providing the tools to take your ultimate guitar tone with you anywhere, from the studio to the stage and back again.
Unov is a powerful distortion remover and the first of its kind. Mistakes can happen, this is why this tool has to be in your palette of plugins : you’ll never know when you’ll need it. Unov is available as a VST2, VST3 and AU plugins for PC and Mac, 32 and 64 bits There are two main algorithms to treat your sound : a ‘pre’ mode for heavier distortions and a ‘main’ mode with two faders for two differents types of distortion and a frequency selector to select the frequencies you need.
CONEQ WORKSHOP is the measurement software tool for any complex system with multiple channels or even acoustical challenges, with features beyond acoustic power correction alone. CONEQ WORKSHOP provides the user with many detailed parameters to customize measurements as well as modify the correction curve to the applications requirements. In addition it provides features such as composite correction of multiple measurements and a variety of target correction features. It also allows the user to load frequency response compensation files for the audio interfaces as well as the measurement microphone to achieve a maximum linearity. Graphs and reports can be exported and printed for repeated tests or quality control of permanent installations, etc..
Our brand new amp simulator called Caliburn which we are confident to say that this is our best amp yet. This time, it’s inspired by Britain’s Marshall* Amps crafted using our most current 3rd generation modeling technology, resulting a satisfying responsive feel, more dynamic guitar playing experience you’ll love. Supports various audio plugins: VST/VST3/AU/AAX which compatible with any kind of Digital Audio Workstation softwares. Standalone version are also available. In the history of music, British made amplifiers has undeniable influences to the evolution of rock music. The loud, chimey clean, and thick crunchy mids of those amps were popularized by big acts such as Jimi Hendrix, Led Zeppelin, and The Who. It is the sound of rock music that lasts through generations until today. If there was only one name that represents the sound of rock music, it’s absolutely this one: Marshall* Amplifiers. Founded by Jim Marshall in 1962, Marshall* amplifiers have taken the lead to be the top choice of many guitarists, such as Jeff Beck, Tom Morello, Andy Summers, Slash, Angus Young, Yngwie Malmsteen, to Kerry King of Slayer*.
