BBCMP v1.2.0 WiN

Team R2R | Feb 28 2020 | 13 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

A special feature of the BBCMP is that it enables the operator to split the incoming signal using the Low Pass and High Pass filters. These then allow you to apply processing (compression, limiting, expansion and gate) to each band independently. Once each band has been processed, the following signal pathway shows you how the separate bands are then summed to produce the final output. The great advantage of processing in this way is that you have full control over the extent to which the 2 bands are processed rather than only the summed signal being processed. This means that if, for example, the low end is strong and pushing the compressor to attenuate the signal when it comes into play, in a standard compressor the higher frequencies would also be compressed at these times. With the BBCMP you can separately control the low end and leave the high end relatively unprocessed, if that is what you need, or conversely deal with the high end and leave the low end with lesser processing.

FD3N USA Edition v1.1.1 WiN

Team R2R | Feb 28 2020 | 7.5 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

FD1N and FD3N Tube EQ & Saturator plug-ins

While all three EQs / saturators look almost the same, aside from their colours, Babelson Audio says that they use different algorithms. The FD1N is nicknamed “British Edition”, while the FD3N carries the label “U.S.A. Edition”. It doesn’t appear that the EQs have been modeled after any specific British or American pieces of hardware…

Rev PLATE-140 v1.0.0 WiN

Team R2R | 19 Jan 2020 | 203.4MB

PLATFORM: WiN64 – VST/VST3/AAX

Rev Plate-140 emulates the classic EMT 140 reverb. Released in 1957, this plate reverb quickly became a studio essential, and now you can have a “circuit accurate” emulation of it in your DAW for nothing. Rev Plate-140 recreates the original’s vacuum tube preamp, and promises a full-bodied sound and a lush tail. It’s designed for use on vocals and for adding glue and space to your mix. Rev PLATE has also taken the opportunity to add a new feature or two: specifically, adjustable pre-delay and a high-pass filter on the input. There’s also an integrated chorus and a post-reverb EQ. Rev Plate-140 runs on PC and Mac in VST/AU/AAX formats.

Re-Function v1.0.1 WiN MAC

Team DECiBEL | 26 Apr 2020 | 33.6 MB

..:: AU, VST, x64 | Buffer Modulation Machine ::..

Re-Function is a buffer modulation controller. It records incoming audio, stores it in a temporary buffer and allows you to manipulate the playback positioning with 4 dedicated sources.
Re-Function works excellently on rhythmic material and can create some beautiful, shimmering ambiances with pianos, mallets, and guitars. Re-Function also excels as a beat glitch tool as it automatically tempo syncs its modulations to your host environment as it warps, bends and twists the playback of the incoming signal. Re-Function’s four main parameters, Filter, Placement, Window and Mix can all be independently modulated with variable waveform LFOs. This means that you can constantly, tweak, pump and glitch the buffer to no end!

Mimik v1.0.1 WiN MAC

Team DECiBEL | 26 Apr 2020 | 34 MB

Mimik | AU, VST, x64 | Variable Pitch & Time Repeater

Mimik is a temporal and tonal manipulation machine. It is designed to help you explore and exploit the microsonic aspects of whatever you feed it. Mimik records your incoming audio to a short buffer that you can tweak, bend and stutter to completely alter your rhythms and sounds. Mimik’s buffer can be truncated or randomly modulated. It allows you to pitch-stretch without altering duration and time-shift without changing pitch. You can reverse, chop, freeze and re-phrase almost anything. Mimik can be used for subtle magesy articulation nuances or more extreme beat processing… how to use the power of Mimik is up to you!

Cloud Machine v1.0.1 WiN MAC

Team DECiBEL | 26 Apr 2020 | 33.9 MB

Cloud Machine | AU, VST, x64 | Spectral Blur and Space Creator

Cloud Machine is a spectral blurring and space utility. It creates sweeping clouds of resynthesized particles from any audio input. Use it in real time to turn your voice into a glacial canvas. Process drums, vocals and synthesizers to create shimmering, evolving textures. You can use Cloud Machine for subtle effects, or crank it up for the unexpected!

Timeless 3 v3.0.0 macOS

CODESHiNE/P2P |☻ 25 May 2021 | WiN: 8.44 MB | MAC: 14.42 MB

..:: MAC: AU, VST, VST3, AAX, 32Bit, 64Bit ::..

..:: WiN: VST, VST3, x64 ::..

I love delay and the ability to create crunchy modulated delays and creative effects has changed my mixes forever!