.:Blyss v1.1.0 WiN:.

Team R2R | 2021.10.22 | 52.48 MB

PLATFORM: VST/VST3/AAX(MOD)

A mastering-style EQ, sandwiched inside six stages of delicate Saturation, feeding a dead-simple ‘finishing compressor’. It’s an EQ with a vibe, the likes of which could only come from Kush. Blyss Mastering Channel is a 3-stage processor designed specifically to make busses — both mix and instrument — sound “prettier”. It also happens to sound incredible on individual tracks too. While it has multiple cascading Saturations, a 6-band EQ and a mastering grade Compressor, all sections have been greatly simplified to reflect old-school approach to processing: less is more, choices are limited but comprehensive, and all sections are designed to work together, making it nearly impossible to produce a bad sound.

Electra DSP v1.6.0 WiN

Team R2R | 2021.10.22 | 12.93 MB

PLATFORM: VST/VST3/AAX(MOD)

The hardware Electra EQ set a high standard for fast, smooth, punchy equalization, and the Electra DSP’s precisely modeled filters embody that spirit flawlessly. The high shelf is surprisingly flexible, the bass reaches down to the floor. But those midrange filters have a magic proportional-Q, the more you boost the tighter they get. They’re so articulate, they can make drums sound like they were tuned and even mic’d differently. No matter how aggressively its set, Electra is relentlessly smooth and unapologetically analog in character.

Clariphonic DSP MKII v1.3.0 WiN

Team R2R | 2021.10.22 | 8.9 MB

PLATFORM: VST/VST3/AAX(MOD)

Re-modeled from the ground up using all new algorithms and filters, the Clariphonic DSP MkII sounds markedly smoother than the original plugin, and is considerably more powerful thanks to 3 processing modes: Classic Stereo, Dual Mono, and Mid-Side. With custom oversampling algorithms specifically designed for shelves whose highest corner is 38k, it faithfully captures the spirit of the analog hardware.

Molot GE v1.0.4 WiN MAC

P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

..:: VST2, VST3, AAX, AU ::..

Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.

Yamaha Vintage Plugin Collection

Team V.R | March 16 2016 | 43 MB

v1.0 VST2 CE x64 WiN (64-bit only) Dawn and OS 64 Bits

The Vintage Channel Strip consists of three plug-ins, reproducing the sound characteristics of classic 1970’s EQ and compressor devices. The Vintage Open Deck is a four-in-one tape saturation plug-in, that brings back the rich sound of legendary open-reel tape recorders. The Vintage Stomp Pack includes five ultra-realistic emulations of sought-after vintage guitar effects.

Dozer Drive v1.0.0 WiN MAC

Team R2R | 18 Oct 2021 | WiN: 5.2MB | OSX: 16.9MB

Dozer Drive unites two of the most iconic guitar pedals of all time in a single enclosure: The legendary circular fuzz from 1966 and the little green overdrive monster from 1979! No matter if you just want to add a little boost to your signal or push it to the point of saturation heaven, it’s all there. Will it fuzz? Will it distort? And overdrive? Oh, yeah.

SEQ-S Bundle v1.3.0.7 WiN MAC

Team R2R | 18 Oct 2021 | WiN: 5.2MB | OSX: 11.3MB

SEQ-S Linear Phase EQ is a plug-in that provides sonic sculpting and EQ matching up to 7.1, with stereo mid-side operation and automated spectrum analysis. The software allows for manipulating and correcting any audio with higher resolution than can be achieved with a traditional parametric EQ interface. A direct-draw interface and detailed spectrum analysis make it easy to quickly identify and specifically fine-tune audio. Additionally EQ matching via sonic fingerprinting provides some unique possibilities. The plug-in can be used to match one recording to another by capturing the “flavor” of the source audio and then transferring it to the current work. This is especially useful for restoration and harmonization work. Or same technique can be applied to individual tracks to unify different takes, microphone positions, and more.