ST1 is a simple tool that lets you control the width and the panorama of a stereo audio signal. It includes a mono-to-stereo function, a stereo field enhancer, a rich panning knob that includes spectral panning, and a bass-focus feature. The phase and correlation meter visually monitors the panning position and stereo width.
Archetype: Gojira covers as vast a ground as the bands’ iconic compositions. From clean, mellow ambient sounds to the most obliterating high gain, Archetype: Gojira provides enough options for you to create your own iconic sounds. Two brand-new algorithms to ingratiate the Pitch Effects section, giving you unparalleled flexibility for crafting and tweaking your tone. Wow A MIDI-programmable pitch shifter pedal with 3 different modes providing ultimate control over the additional octave and pitch sweep. Tracking better than the best analog equivalent, nothing is stopping you from nailing Stranded now. Oct A polyphonic octaver pedal capable of adding two independent octaves, one -1 octave and the other -2 octaves below your dry signal. You’ve never played riffs this heavy.
gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.
IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.
All-in-one Guitar Plug-In Suite. The most advanced modelling algorithms, users can experience real-time simulations. Our software uses internal circuit simulations from the schematic’s of the specific amplifier’s…
Redline Reverb is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional – check out the 112 factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything in between.
The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”
