SpinAudio Roomverb M2 v2.3 WiN

Team NEMESiS | 10/03/2006 | 2.16 MB

RoomVerb M2 is based on Virtual Room Acoustic modeling technique that allows to simulate various acoustic spaces from small bath rooms to huge open spaces using a single set of parameters. Such an approach provides a unified way of controlling reverb and removes the limits inherited in traditional reverb design schemes based on either pre-defined algorithms or pre-calculated room response patterns. The plugin processing DSP core has a flexible modular design that supports dynamic host CPU loading. This means that if you don’t need a certain reverb function you can switch it off, reducing the CPU load.

Silverspike Reverb It VST 1.2 WiN

TEAM peace-out | 04.08.2009 | 11.2 MB

Silverspike Reverb.it simulates diffuse reverberation of rooms. Its quality results from a unique reverb algorithm based on random reflection patterns. This reverb is no toy. It provides dense, smooth, and authentic reverberation that you would only expect from expensive external high-end equipment. Two shelving filters and up to three separate reverb frequency bands give you full control on the spectral balance of the reverberated signal. No matter whether you need a rehearsal room, a concert hall, or a stadium. Perfect stereo imaging. And yes, Reverb.it is ready for 32bit/96kHz.

Sanford Reverb VST 2.0.1 WiN-ASSiGN

TEAM ASSiGN | 02 MARCH 2010 | 7 MB

The Sanford Reverb is a true stereo reverb. It is capable of simulating everything from small rooms to giant cavernous spaces. Its sound is dense, clean, and crisp making it perfect for most situations.

Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

VST AU PC & MAC OSX UB REPACK-DYNAMiCS

Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.

WVS Reel ADT AU VST VST3 RTAS MAC OSX

msj | 10.3.2014 | 40.5 MB

WVS/Abbey Road Reel ADT is the first plugin to successfully emulate Abbey Road Studios’ pioneering process of Artificial Double Tracking. The effect that would become an integral part of Abbey Road’s signature sound was initially created at the famed studios in the 1960s to meet the needs of some very special clients: The Beatles. Reel ADT puts the magic of that era in your hands within seconds. Using its intuitive controls, you can advance or push back the doubled signal to achieve genuine, lush-sounding delay and pitch variations. You can also drive each of the signals separately to add beautiful tape saturations.

SpinAudio Roomverb M2 VST AU MAC OSX

Team ArCADE | 09.22.06 | 10 MB

RoomVerb M2 is based on Virtual Room Acoustic modeling technique that allows to simulate various acoustic spaces from small bath rooms to huge open spaces using a single set of parameters. Such an approach provides a unified way of controlling reverb and removes the limits inherited in traditional reverb design schemes based on either pre-defined algorithms or pre-calculated room response patterns. The plugin processing DSP core has a flexible modular design that supports dynamic host CPU loading. This means that if you don’t need a certain reverb function you can switch it off, reducing the CPU load.

WVS Metafilter AU VST MAC OSX K-ED

msj | March 05 2014 | 107.8 MB

Designed around a multimode filter with extensive modulation options and powered by WVS’ Virtual Voltage technology, WVS MetaFilter has everything you need in a sound-shaping filter plugin. The versatile MetaFilter creative effects unit provides all the warmth, depth and fatness of classic analog filters, along with the modern control and endless flexibility distinctive of Waves tools. MetaFilter lets you individually modulate the filter’s cutoff, resonance and delay time using three separate modulators – a 16-step sequencer, an LFO, and an envelope follower with a sidechaining option – making it easy to achieve effects such as filter sweeping, tremolo, auto wah, rhythmic gating, ducking, and hypnotic modulating delays with saturation buildups.