Maschine 2 v2.1.2 Update MAC OSX FiXED

C0PYL3FT3R | 09.07.2014 | 755.4 MB

AU/VST/Standalone 32/64Bit

Create tight rhythms, harmonies and melodies in moments with MASCHINE – the highly enjoyable instrument that combines a pattern-based sequencer, professional sampler, multi-effect unit and VST/AU plug-in host. Everything is intuitively controllable via the fully integrated hardware – once you touch the tactile controller the fun and intuitive workflow takes over, allowing you to stay focused on what matters – the music.

ALM-X 5.1 Extended v.1.1.0 AU VST MAC OS X

C0PYL3FT3R | 07.07.2014 | 2.7 MB

STANDALONE 32/64bit

Audio Loudness Meter Extended 5.1 – Standalone, Audio Loudness and True Peak Meter application, with extended features BS1770 and EBU R128 compliant. Taking the idea behind the ALM 5.1 plugin a step further, we developed a standalone application, with extended features, that offers more control and power, allowing you to use it in more complex situations: the ALMx 5.1 (stands for Audio Loudness and True Peak Meter with extended features). The application was created as an aid for the television networks and media services providers. Recommendations regarding loudness levels exists in many countries, some of them have already implemented the standards as law, while others are in the legislative process. Just like the ALM 5.1 plugin, the driving forces behind the application are the algorithms developed according to the international broadcast standards (BS-1770, EBU R128, ATSC A/85), based on research and perception tests.

ALM 5.1 v.1.1.0 AU VST STANDALONE MAC OSX

C0PYL3FT3R | 07.07.2014 | 18.8 MB

AU/VST/STANDALONE 32/64

ALM 5.1 is designed as a key component in your mixing workflow. Based on the new ITU, EBU and ATSC loudness standards, the plugin offers you full Loudness and True Peak Metering for Mono, Stereo and 5.1 channel formats featuring measurements for Momentary, Short Term and Integrated Loudness, with Loudness Range and Max True Peak Level. Wheter your want to target the loudness (-23 LUFS,according to EBU specification, or -24 LUFS, according to ATSC specification) or you want to use the relative gate of -10 LU, ALM 5.1 is all you need to control the loudness of your audio material. Both LU and LUFS scales are available, also, you can set the start and the stop of your measurements or you can simply let the plugin do it by following the host transport.

L-Normalizer v.1.0.0 AU VST 32-64Bit MAC

C0PYL3FT3R | 07.07.2014 | | 3.7 MB

Affordable, cross-platform loudness normalizing tool

The L-Normalizer is an affordable, cross-platform loudness normalizing tool. This particular application can be very useful and helpful for audio engineers working in post production and broadcasting environments. The major two steps of the workflow consists in analyzing the audio material and rendering an improved one. If you choose to normalize your material, you can pick between program loudness or short term loudness if your materials are shorter than 30 seconds. Also, a True Peak Limiter is available with variable knee width, release time and true peak.

Back Stage Vocals 1.00 & EQ One 1.02

P2P | 22 August 2011 | 2 MB

Back Stage Vocals is a one-shot VST plug-in that pre-mixes your vocal track, taking care of harsh frequencies and creating space to make it easier for your vocals to sit perfectly inside the mix. Back Stage Vocals combines moderate equalization, early reflections, stereo widening, and very subtle harmonics into one little plug-in, freeing your chain so you can add more effects and further audio level compression. For starters and podcasters, this could be the one plugin that you will need to put your vocals upfront and center in the mix. For pro’s, this free vst plugin takes care of the easy but tidious task of prepping the vocals so you can go straight ahead to audio compression and other effects.

GatR VST v1.1 WiN-BEAT

TEAM BEAT | 05/19/2005 | 2.90 MB

Gat’R is a dedicated pattern-based gating effect. Rhythmic patterns are routable to amplitude, multimode-filter and delay modules in different combinations, or even sent outside to external synths and effects via Midi CC. Like all SONICBYTES programs Gat’R supports live performance, and patterns can be triggered or swapped on-the-fly by Midi message. A demo is available.

DSP-1 Drums v1.1.1 VST WiN

HY2ROG3N | 06/07/2014 | 10.7 MB

DSP-1 is a high performance dynamic signal processor specifically designed to process drum tracks. DSP-1 can be used as an insert effect on single drum channels (bass drum, snare drum, overheads, etc.) or to process the entire drum bus. The aim of this effect is to increase the perceived level of the processed audio without introduce too much color or artifacts and, above all, avoiding distortion. With DSP-1 it’s very easy to maximize the audio level of your drum track without make it sound over compressed or distorted.