LXP Native Reverb Bundle v1.2.1 MAC

HEXWARS | 25.12.2014 | 60 MB

AU/VST/RTAS 32/64

You’ve just wrapped up tracking with artists that are on the brink of breaking into the game. You start mixing when you realize you are craving more, the ability to envelope your mix with that “magical space” that delivers the clarity, depth and fullness that can only be created when recording in a major studio. So you turn to the most trusted name in reverb to achieve the ultimate sound. Lexicon’s LXP Native Reverb Bundle provides your music with an engaging aura that brings it to life by placing it in the perfect resonant space.

Stereoizer v3.4.0.1 WiN MAC

Team R2R | 03 Jul 2019 | WiN: 5.4 MB | OSX: 45.7 MB

Rapid, intuitive access to the big sound all professionals strive for. Stereoizer hits the bullseye, with the assurance of superb mono compatibility and no unwanted artifacts. Stereoizer offers you the full range of stereo image enhancement, from gentle width adjustments to huge dynamic ambiences that transform the soundstage. With visual audio analysis feedback and a clear, logical control layout, Stereoizer is satisfying to use and gives great results with the minimum of effort.

Monofilter 4.2.0.0 WiN MAC

Team R2R | 03 Jul 2019 | WiN: 4.0 MB | OSX: 32.9 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX | MacOSX – AU/VST/VST3/RTAS/AAX

Transparent Bass Enhancer Plugin

MONOFILTER brings back the centre of your bass, so easily lost through stereo effects processing, synth sound generation, unwanted phase inconsistencies and live recording mic. bleed. Our market leading features now give you clear control over stereo spread, transition and phase alignment, and the unique interface gives you clear and exacting visual feedback.

ARIA Engine v1.916 WiN MAC

TEAM R2R | 25.06.2017 | WiN 4.92 MB | OSX 9.5 MB

AU VST AAX RTAS STANDALONE

The ARIA Engine is a 64-bit Sample/Synthesis Engine,  It is based on the SFZ 1.0 / SFZ 2.0 open file formats for instrument programming and the Scala open file format to define scales and temperaments. The first software instrument in the ARIA engine was the Garritan Authorized Steinway Virtual Model D Piano Library, endorsed by and in cooperation with Steinway & Sons. Today, the ARIA Engine can be found in various software from Garritan, Plogue, AKAI, Sony, Microsoft and Makemusic.

Mastering Equalizer v1.0.4.0 WiN MAC

Team R2R | 13 May 2019 | WiN: 4.9 MB | MAC: 4.2 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

The Sonoris Mastering Equalizer (SMEQ) is a parametric equalizer in VST, AU, AAX and RTAS format for Windows and Mac. It has selectable linear phase or minimum phase operation per band. The plugin is suitable for mixing and especially mastering and features 7 bands, including lowpass, highpass, peaking and shelving filters.

Mastering Compressor v1.0.2.1 WiN MAC

Team R2R | 13 May 2019 | WiN: 4.6 MB | MAC: 4.0 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

The Sonoris Mastering Compressor (SMCP) is a wideband mastering compressor in VST, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean compressor suitable for delicate material. No odd harmonic distortion that can be found in most compressors is present in the SMCP. To reduce residual artifacts the SMCP features upsampling of the audio up to 8 times. Transparency can be further enhanced by selecting auto-release and feedback detection together with two soft knees. If a more aggressive behavior is needed you can for example choose feedforward detection with a harder knee. It can have some “character” if pushed. If needed, the audio can be warmed up with even harmonics with the flip of a switch.

Multiband Compressor v1.0 WiN MAC

Team R2R | 13 May 2019 | WiN: 4.5 MB | MAC: 3.5 MB

PLATFORMS: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED) | Mac: AU/VST/VST3/RTAS

The Sonoris Multiband Compressor (=SMBC) is a versatile three band compressor in VST, VST3, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean processor, suitable for delicate material. It has three independent frequency bands, each followed by a compressor based on the Sonoris Mastering Compressor. The three bands are created with carefully designed Linkwitz-Riley crossover filters to avoid phase cancellation problems while having a very natural, analog like quality. By design they mix back flat. Unlike linear phase filters they don’t introduce ringing artifacts and are more efficient in use.