Chorus DiMENSiON-D macOS

MORiA | 16 August 2026 | 302 MB

..: AU | VST2 | VST3 | AAX | STANDALONE :..

Chorus DIMENSION-D Instant stereo shimmer.

Beautifully smooth analog chorus and rich stereo enhancement at the touch of a button. Simple operation, mesmerising results, inspired by a prestigious studio classic. An effect so essential, you’ll wonder how you ever mixed without it. horus DIMENSION-D has been painstakingly modeled after one of the most sought-after effects units of all time, the Roland Dimension D – championed by everyone from Kate Bush to Stevie Ray Vaughan. Now you too can bathe your mix in that same warm, spacious texture that’s earned legendary status in studios worldwide.

Chorus JUN-6 v1.5.1 macOS

MORiA | 16 August 2026 | 315 MB

..: AU | VST2 | VST3 | AAX :..

Chorus JUN-6 One-touch analog sparkle.

Chorus JUN-6 is based on the iconic stereo effect found in the Juno polysynth series from the ‘80s, complete with faithful BBD analog warmth, an authentic 3-mode layout, and flexible modern controls to find your own modulation flavor. A recreation of a rare and much-loved analog gem, bringing unique BBD imperfection and the easiest set of FX controls you’ve ever seen for effortlessly warm analog grain. The Juno chorus is unique in its popularity – rather than being a pedal, a rack-mounted unit, or a secretstudio weapon, it was built into the classic ‘80s synths of the same name. But it was more than just a component. More than a handful of controls at the end of the

Comp DiODE-609 v1.4.1 macOS

MORiA | 16 August 2026 | 555.17 MB

..: AU | VST2 | VST3 | AAX :…

Comp DIODE-609 Stereo compression icon.

Comp DIODE-609 is a re-engineered software emulation of the legendary Neve® 33609 Diode Compressor and Limiter, famed for its warm, smooth, and versatile stereo response. For mixing and mastering alike, reinforce your sound with the spirit of analog dynamics. The gold standard compressor. Listen to any chart-topping hit, award-winning soundtrack, or seminal album from the past 40 years, and it’s likely that you’ll be hearing the signature transient wizardry of the Neve® 33609.

Comp FET-76 v1.7.1 U2B macOS

MORiA | 16 August 2026 | 448 MB

..: AU | VST2 | VST3 | AAX :..

Comp FET-76 Make Everything Better.

Perfect vocals and a huge variety of instruments every time. Subtle tonal shaping, and dynamic control brings your sounds to life. The phrase “industry standard” gets used a lot in music production circles, but few products actually live up the hype. The original 1176 compressor designed by Bill Putnam Sr. truly lives up to the name. Now – thanks to Arturia’s TAE® technology – you can enjoy its legendary tone-shaping from the convenience of a software plugin.

Flare v1.1.0 MAC

GUiSEPPE | 16 May 2026 | 36.15 MB

Flare is a new kind of psycho-acoustic compressor that provides exceptional volume consistency without the usual audible side effects associated with heavy compression. Flare uses a psychoacoustic approach inspired by advanced post-production techniques to subtly maintain track level consistency. This ensures that your audio remains naturally dynamic without the perceptible effects of compression. While it was specifically designed for film and TV/video post-production, its unique behavior can deliver excellent results in almost any application, and is excellent at leveling elements in a dense mix.

Mini Grand v1.4.0 macOS

Team Xdb | 14 February 2026 | 717.47 MB

Mini Grand is a simple to use yet powerful virtual piano instrument with seven different acoustic piano sounds to suit a broad range of musical styles and production needs. Whether you’re the next Evgeny Kissin bringing the crowd to their feet at the conclusion of a stirring rendition of Rachmaninoff’s Piano Concerto No.2, or Herbie Hancock laying down the funk on Watermelon Man or Monte Neuble making Rihanna’s music explode on the stage, it’s our mission to give you the creative tools you need to reach heights you never thought you could reach. We made this for you.

.:MU v1.6.4 MAC:.

GUiSEPPE | 03 June 2025 | 54.3 MB

There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters. Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows.