Creative Delay Toolbox.Created with sound designers in mind, Incipit is also a perfect fit for musicians who want to quickly mutate their sounds. Wether you need a subtle dub delay or a twisted alien texture, the intuitive user interface will get out of your way to quickly craft the perfect patch for the task. Available as VST and Audio Unit for Mac OS and Windows (32 and 64 bit).
Tighten up a tubby kick drum, remove unwanted room tone, emphasize the decay of your toms, transform guitar DI’s, add brilliance to a vocal, and so much more!
The Elements Suite: Everything you need to repair, mix, and master The Elements Suite combines four powerful, award-winning audio plug-ins in one affordable package: Nectar Elements, RX Elements, Neutron Elements, and Ozone Elements. Born from years of audio research and development, Nectar Elements, RX Elements, Ozone Elements, and Neutron Elements are now available in one convenient bundle that not only elevates your audio production, but inspires and enables your creativity. It’s everything you need, whether you’re recording and editing a podcast, cleaning up guitar tracks or vocals, mixing your first record—or your hundredth.
The new MSW2 is a complete overhaul in terms of code, interface & creativity, it can be used both subtly for better mixes, or pushed to the extreme to achieve a host of creative possibilities in the stereo field.
Bitspeek is a real-time pitch-excited linear prediction codec effect. Right now you are probably thinking, “oh, another one of those”? Or perhaps not. Chances are that you have never heard about “linear prediction”, although most of us use it daily when we talk on our cell phones. Linear prediction coding is a voice compression technology that appeared in commercial products in the seventies and was implemented in some well-known speaking toys of the early eighties. We have applied this technology to create a VST / AU effect plug-in that analyzes audio, extracts a number of parameters (including pitch, volume and formant data) and then resynthesizes the audio using a simple oscillator, noise and filter architecture. We have added a number of playback parameters that adjusts the pitch and tonal quality of the sound as well as support for MIDI and a beat-synchronized “formant freezing effect”. Despite having only a few simple controls, this box can produce a broad range of sounds from cheap speaking toys to high-end vocoder and talkbox effects.
After 3 years of using the original Clariphonic DSP, I’d compiled quite a list of improvements I wanted to make. So I made them all, and the result is the Clariphonic DSP mkII, modeled from the ground up by me using all new algorithms and filters. To my ears, the mkII sounds markedly smoother than the original, and it’s considerably more powerful in use. It has 3 modes: classic Stereo, Dual Mono so I can eq each side differently, or Mid-Side for advanced sweetening. I overhauled the GUI as well, it’s a little easier on the eye and a lot easier to use. Between the smoother sound, the 3 operational modes, and the enhanced interface, I’m more proud of this design than any I’ve done to date, and that’s coming from the guy who recently dropped the Tweaker.
Trap Utopian has over 75 sounds influenced by Southside, Metro Boomin & TM88. Also included with this vst is a drum kit filled with HQ sounds and a gross beat preset bank as a added bonus to the vst.
Total Posts: ❨ 🎵➡3088 ❩ | Paged: ➡ 351
