Dual Spring Reverb is an effect plugin that uses a physical model of helical spring vibration to recreate the classic sound of spring reverbs.
Derailer is a physical modelling instrument plugin built from mathematical models of strings, bars and spring connection elements.
Goliath V3 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.
EP-1 Electric piano sound engine from the KORG KRONOS/NAUTILUS. The finest vintage EP sounds now available in the KORG Collection The electric piano sound engine EP-1 first appeared in 2011 in KORG’s flagship workstation synthesizer, KRONOS. It adopted the newly developed MDS (Multi-Dimensional Synthesis) technology which expresses smooth and dynamic tonal changes finely corresponding to key touch, something previous sample playback methods could not achieve. In 2017, it was featured in the top-tier Korg stage piano Grandstage, and in 2021, a new electric piano model was added to the NAUTILUS workstation. This plugin version now features the latest EP-1 sound engine and has received new voicing, making it the definitive Electric Piano sound engine. The overwhelmingly realistic sound and dynamic expression of EP-1 will stir the player’s soul and unleash deep emotional responses. Experience the latest EP-1 sound engine and expand your creative horizons.
Chords, melodies, basslines and arpeggios that belong together, written in one click across 32 genres. Hear them against a guide drum groove, shape the feel, and drag full arrangements into your DAW. Built on music theory, not AI. Writing a full musical idea shouldn’t take hours of drawing MIDI notes one by one. You hear the vibe in your head — you just need a starting point that actually sounds like music. PhraseLab writes four parts at once: chords, melody, bass and arpeggio, every one of them following the chord that’s playing. Lock what you love, regenerate what you don’t, and build entire songs from scenes you can arrange and export as MIDI. Every genre has been tuned by ear. Dance tracks keep out of the kick with offbeat stabs and rolling bass lines, hip hop and R&B sit in a laid-back pocket, and melodies are written as phrases with a hook that comes back. Notes only leave the key when it makes musical sense.
Absynth 6 marks the return of a legendary semi-modular synthesizer. Built for textures that transform and breathe, it invites you to shape sounds that are entirely your own. Deep enough for complex sound design, and intuitive enough for newcomers, it opens up distinctive, living sounds for cinematic cues, ambient soundscapes, and electronic productions.
The lush, silky digital reverb of the classic studio racks — three algorithms, one big Decay knob, and the sound of the original converters. A reverb does not need a million parameters. It needs to sound right — lush, deep and silky, and still clear in a busy mix. REPLX-1 goes back to the digital reverbs that defined records from the late seventies on: a dense tail that moves gently instead of ringing, lows that bloom, highs that fade the way a real space lets them. We kept what made those machines fast to use — a fader, one big knob, three algorithms — and modeled the part most recreations skip: the converters the sound went through.
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