🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • Superior Drummer 2 v2.4.4 UPDATE WiN MAC-R2R
    August 10th, 2016 ⚡
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    Superior Drummer 2 v2.4.4 UPDATE WiN MAC

    Team R2R | 10 Aug 2016 | WiN: 32.2MB | OSX: 87.5 MB

    r4e | August 9th 2016 | WiN ONLY: 67 MB

    Superior Drummer 2.0 is the professional drum sampler. With its excellent sounding sample-engine, its phenomenal realistic room sounds and its unrivaled extensive feature-list, it truly sets the industry standard in contemporary digital drum production. 20 GB of excellent drum sounds for professional music-production. Recorded with extensive and adjustable microphone-bleed and the unique room sound of legendary recording studio Avatar New York. Mixer presets by top producer Neil Dorfsman (Sting, Bruce Springsteen, Dire Straits, Kiss, Joss Stone, Genesis, John Mayer and Chris Cornell).


    Viewed 39642 By Music Producers & DJ´s.


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    Amplifikation Vermilion v1.1.3 WiN MAC

    Team R2R | 05 Aug 2016 | OSX: 37.5 MB | WiN: 220.6 MB

    APP/AU/VST/VST3

    Amplifikation Vermilion is a guitar amplifier audio plugins inspired by classic guitar combo amplifiers. It offers gorgeous looks and endless tonal possibilities for the serious guitarist who requires versatility. The engine is carefully tuned to match the tone of authentic classic amps and will truly sing to your playing style. The guitar amp simulator Amplifikation Vermillion packs everything guitarists love: jangly cleans, raw tube saturation, bouncy reverb, and a trippy tremolo circuit. The warm, chimey, and slightly gritty clean channel is great for country, soul, funk, blues, and older “roots” styles of music, and even pulls some weight for your indie pop tracks.


    Viewed 10946 By Music Producers & DJ´s.

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    Amplifikation Creme v1.3.3 WiN MAC

    Team R2R | 05 Aug 2016 | OSX: 33.0 MB | WiN: 190.3 MB

     APP/AU/VST/VST3

    Amplifikation Creme, featuring ultra-precise digitally engineered head and matching cabinets with built-in overdrive section consisting three kinds of legendary overdrive pedals built right to the amp giving you a full control of harmonically-rich distortion crammed with intense dynamics.


    Viewed 9562 By Music Producers & DJ´s.

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    RealRick v4.0.0.7250 WiN MAC

    Team R2R | 04 Aug 2016 | OSX: 417.0MB | WIN: 413.0MB

    In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few.  Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.


    Viewed 7634 By Music Producers & DJ´s.

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  • That Thing v1.2.0 AU VST AAX WiN MAC-iND
    July 31st, 2016 ⚡
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    That Thing v1.2.0 WiN MAC

    iND | 31 July 2016 | WiN: 131 MB | OSX: 163 MB

    There was something about older drum machines and synths that made them sound punchier and more pleasing than today’s clinically perfect sounds. “That Thing” is a multi effects processor that was designed to get you “That Thing” missing from digitally perfect tracks today. It features a beautiful wide and deep chorus section great to thicken anything from synths, vocals, bass, pads drums and other sounds. The soundscape generator features 50 samples of old vinyl players, tape machines, old radio, tube gear, atmospheres, ambiences etc. These ad to your sound with an envelop follower, so the sounds add in only when signal is present and move, and pan with the level of the signal. Easily change the pitch of the soundscape to make it work with any audio you pass through it. The plugin features a bit crusher and distortion that emulates the sound of vintage drum machines giving you a choice of 8/12/16 and 24 bit audio. There is also an analog Low Cut and High Cut filter section designed to shape your sounds further. A wet and dry fader is included to blend in the effects with your original audio.


    Viewed 6871 By Music Producers & DJ´s.

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    AnalogStage v1.1.1 WiN MAC RETAiL

    P2P | 24.07.2016 | 68,41 MB

    VST VST3 AU RTAS AAX

    AnalogStage emulates those sound characteristics usually associated with analog gear (saturation, hiss, non linear frequency response, etc.) and can be used to bring to your mix some analog console flavor if used on every channel or buss. AnalogStage simulates the response of three different types of analog technology: operational amplifiers (the cleanest and more modern technology), transistor (the discrete transistor designs were popular in the 70s and have some fat saturation) and tube (the dynamic and smooth saturation of the past). Every one of the three different type of emulation can be used inside the same project but for convenience you can create up to eight group of instances so that any change to the emulation type, age, hiss switch and saturation switch is applied to every plugin belonging to the group.


    Viewed 8073 By Music Producers & DJ´s.


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    Spikes v1.0.0 WiN MAC RETAiL

    P2P | 24.07.2016 | 11,21 MB

    AU VST VST3 RTAS AAX

    Spikes is a transient processor, thanks to it’s intelligent auto settings you need just one knob to manipulate the sound, but if you want to tweak it every control is there at your fingertips. Working with audio often happens that you need to manipulate peaks and body of the signal, sure you have compressors at your disposal but a compressor needs a fixed threshold to work, a plugin like Spikes on the other hand uses a relative threshold so you don’t have to worry about the level of the signal.


    Viewed 6492 By Music Producers & DJ´s.

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