Introducing the first VST3+AU Ducker with real side chain support. Regain control over your signal’s gain reduction by ducking like it’s meant to be done. Perfect for Voice-Overs, Podcasting, Bass Cleaning (i.e. bass drum over bass), Pumping Effects and much more.
ClipShifter is a clipping-style limiter that provides enough user controls to be useful in all mixing stages. ClipShifter uses a unique threshold control to change the clipping threshold dynamically based on the transient characteristics of the incoming audio. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression. Additional parameters allow the user to control the even- and odd-order components of the saturation.
“PRE 02 – Synthesizer LA-50” expansion for Infinity, designed to emulate classic sounds…
There’s nothing quite like the roar and fire of a raging guitar valve amp… nothing that is, except a state-of-the-art, next-level emulation, and that’s exactly what you get with this month’s Computer Music magazine! We’ve teamed up with the distortion-obsessed developers at Mercuriall to bring you U530 CM, a jaw-droppingly realistic guitar amp simulator plugin in VST, AU and AAX formats, and based on the full commercial Tube Amp Ultra 530 plugin.
DrumR is a flexible combination of synthesis and granular and regular sampling engine for creating a complete electronic drum kit. A kit contains of 3 Kicks, 2 Hihats, 3 Toms, 1 Snare and 1 Crash. Multiple sections for kicks, hihats, toms, snare and cymbal Each section with detailed control with both synthesized, samplebased and granular sampling technology Mixer section always visible with two group channels with idividual distortions, limiter and sends to echo and reverb Customizeable interface with different color themes and knob styles
The Wall is is a brick wall limiter designed with one thing in mind: Make your mixes loud without screwing up your mix. No matter what side of the loudness wars you’ve decided to plant yourself on, the need to make mixes loud for clients isn’t going away any time soon. Sending your clients home with a mix that is just as loud as the professional mixes they are used to hearing is an important part of any mixing engineer’s job. But nothing drives me more insane than listening to all my hard work turn to garbage when pushing the mix loud. That’s why we made this plugin. We wanted a mastering limiter that lets you push your mixes loud and still keep the punch in your drums and keep your tonality intact.
Scientifically sound: Our audio plugins are based on more than a decade of scientific research and product development in the areas of digital signal processing and auditory perception. Simply advanced: We combine advanced signal processing techniques and highly-optimized cross-platform implementations with simple-to-use interfaces to optimize your workflow. Value for money: We strive for both affordability as well as quality rather than settling for compromises and trade-offs, introducing professional-grade products to a broad range of users.
