Helix is a Wave-Table-Shaping, Phase modulation, Virtual Analog, Physical Modelling Hybrid Synthesizer. Unusually high sound quality, massive modulation, creative audio-routing and many built-in effects all make Helix a synth easy to like.
Djent. Thall. Elite. Djenthuggah Drums might be small in file size and articulations but it packs all the power to cut through any dense modern metal mix. This Kumu Birch Custom kit likes to be played loud and in fact it sounds so good loud, we actually left out all the ghost notes and medium hits. This is metal, not jazz. The kit was inspired by the modern metal heavyweights such as Meshuggah, Periphery, Animals As Leaders, & Born Of Osiris to name a few.
While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding – everything is possible.
BFD Eco is a streamlined, fun and affordable software instrument for acoustic drums, based on the award-winning BFD2 engine. Supplied with a selection of the best BFD2 sounds, it can also be expanded with the wide range of FXpansion and 3rd-party add-ons. BFD Eco’s versatile mixing and EQ/FX section allows sculpting of the kit and the lush ambience for any musical situation, with a multitude of genre-based presets to get you started. Meanwhile, the integrated Groove player delivers diverse, ready-made drum patterns full of flavour and realism. Featuring an interface perfectly balanced between ease of use and flexibility, BFD Eco is provided as a standalone application and as a plugin for conveniently injecting realistic and powerful drums directly into your projects.
FXpansion’s Etch is a versatile filtering effect based on DCAM circuit-modelled technology. Etch’s dual filters let you switch between 4 models for all manner of fat and warm subtractive tone-shaping, with a comb filter type providing mind-bending psychedelic effects. Additional distortion and compressor stages are provided for beefing up signals, and FXpansion’s TransMod modulation system lets you animate Etch’s circuits over time. Use inter-modulating LFOs, envelopes and more to drive the filter cutoffs, distortion level, compression amount or any other parameters. Etch does amazing things to all kinds of audio material and is great for subtle warming, deep tone sculpting, wild sweeps, special effects and experimental sonics.
Maul is a multi-band distortion and tone-shaping plug-in with advanced modulation. It is suited to all music requiring powerful sound-sculpting abilities – everything from subtle warming and loudness generation to shredding distortion and experimental creative effects. Maul features 3 separate drive stages, each of which can act on a different frequency range with any of 32 distortion types. The available algorithms include DCAM-modelled germanium diode, tube and transistor-based circuits, clippers, overdrives, waveshapers of various kinds and bit-crushing devices for digital distortion flavours. Each drive stage also features control over transient-shaping, saturation circuitry and additional post-process tone filtering.
Tremor: a software drum machine with powerful synthesis, effects, modulation and step-sequencing. DCAM circuit-modelled sound generation is fused with new ideas to produce original sounds with the punch and extreme sound pressure of old-school analogue. Tremor’s dance drums, funky beatscapes, abstract machines and undiscovered sonic terrain are suited to all kinds of electronic, urban and experimental music. Central to each of Tremor’s 8 synthesis engines is a specialized DCAM oscillator with harmonic partials akin to a drumskin’s modes of vibration. Mixed with a sub-oscillator and tuned noise source, the signal is sculpted by modelled drive/filter/FX sections and razor-sharp envelopes. Tremor’s diverse output includes classic kicks, snares and claps, organic hats and body-shaking subs alongside futuristic zaps, scrapes, textures and sounds that defy classification.
