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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • Dream Machine v1.0.0 WiN MAC-R2R
    May 24th, 2020 ⚡

    Dream Machine v1.0.0 WiN MAC-R2R

    Dream Machine v1.0.0 WiN MAC

    Team R2R | 23 May 2020 | WiN: 290.2 MB | OSX: 283.9 MB

    WiN32/64 – EXE/VSTi/RTAS/AAX |♣ MAC: AU/VSTi/RTAS/AAX

    DREAM BIG.

    A hybrid instrument for modern pop, ambient soundscapes and soundtracks. EZkeys Dream Machine is a hybrid and preset-driven instrument designed for use in modern pop, ambient soundscapes and soundtracks. It’s centered around two main components from opposite ends of the audio spectrum: a Rhodes Mark 7 electric piano as well as an undisputed cornerstone in the melodic percussion family, the celeste. Both main instruments can be used individually, but together they form unique sonic texture unlike anything ever heard. In addition to these two instruments, a marimba and a xylophone are utilized in the background of several of the many included presets to paint even richer timbres of sound. All in all, EZkeys Dream Machine is a new creative vantage point in your arsenal of songwriting tools. It’s percussive, melodic and, quite frankly, sounds like a dream.



    Viewed 7232 By Music Producers.


    • Cinematic Grand v1.0.0 WiN MAC-R2R
      May 24th, 2020 ⚡

      Cinematic Grand v1.0.0 WiN MAC-R2R

      Cinematic Grand v1.0.0 WiN MAC

      Team R2R | 23 May 2020 | WiN: 622 MB | OSX: 656.7 MB

      WiN32/64 – EXE/VSTi/RTAS/AAX |♣ MAC: AU/VSTi/RTAS/AAX

      PREPARE FOR THE UNEXPECTED.

      Unique fabrics of sound, tailored for ambient soundscapes, soundtracks and creative sound design. In simple terms, EZkeys Cinematic Grand is a prepared piano – a traditional instrument that’s had its sound altered by objects placed on or between the strings. But in this case, that’s simplifying too much. EZkeys Cinematic Grand presents an all-new hybrid instrument where perfect fidelity meets altered harmonics and layered textures to form never-before-heard piano timbres. Based on a classic Bösendorfer from 1891, this one-of-a-kind instrument was recorded in four individual configurations – one where horsehair was used as a bow on each piano string (‘Bowed’); one where the strings were struck by hand (‘Plucked’); one where various preparations were added to generate a muffled tone color (‘Damped’) and, in opposite, one where the overtones were exaggerated, producing an ambient and soaring timbre (‘Harmonic’).



      Viewed 5106 By Music Producers.


      • TriTone-Digital HYDRATONE v1.xx WiN MAC
        May 22nd, 2020 ⚡

        TriTone-Digital HYDRATONE v1.xx WiN MAC

        HYDRATONE v1.xx WiN MAC

        AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

        AU, VST, RTAS, x86

        HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.



        Viewed 26701 By Music Producers.


        • TriTone-Digital VALVETONE 62 v1.xx WiN MAC
          May 22nd, 2020 ⚡

          TriTone-Digital VALVETONE 62 v1.xx WiN MAC

          VALVETONE 62 v1.xx WiN MAC

          AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

          AU, VST, RTAS, x86

          ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.



          Viewed 11820 By Music Producers.


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