Packed with game-changing features like the G-Envelope, 6 Oscillators – including 3 Wavetables and 3 Samplers – and the revolutionary Chord Memory Device that offers instant pro chords on single keys, ANA 2 makes producing tracks faster and more intuitive than ever!
The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”
Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks. Nothing is smashed here, everything breathes and shines while the MagicDeathEye will smoothly glue your audio signal together in that warm and almost elegant way only expensive tube compressors can. Already now a legendary piece of hardware, the MagicDeathEye compressor is just to good to be exclusively available only to some of the greatest studios in the world. After almost a year of careful circuit and signal analysis. Staying extremely close to its hardware role model while still keeping the CPU load at a very reasonable level, we sincerely believe that the answer to the ever-old question “Do I really need another compressor plugin” is a resounding yes for this one!
Put Focusrite Quality, Sound, and Performance into Your DAW!. The Focusrite Scarlett signal-processing plug-in bundle gives you the amazing performance you expect from Focusrite gear — right inside your DAW!. Inspired by the Red and ISA processors, the Scarlett suite includes classic compression, gating, reverb, and EQ plug-ins that don’t just sound and perform like their hardware counterparts; these plug-ins are incredibly easy to use, too! Focusrite puts rack and console gear inside your computer and adds a ton of functionality to these units, so you can get the most out of our mixes. Frankly, Scarlett is an astounding value!.
Tantra 2 is a rhythmic multi-effects plugin that can create mesmerizing rhythmic sequences from any source material, no matter how flat or dry. Take lifeless basic synth sound, a deep and evolving pad, or even an arpeggiated sequence and instantly reshape it, making it sparkle and come to life with just a few clicks.
Minimal Techno is comprised of compacted / subtracted club grooves which capture the latest spectrum of sound frameworks used in the scene. With highlights on devious sound anomalies and robust soundscapes. A wealth of options from 75 c-kits, 250 instrument loops, 75 drum kits and 234 knock-out one-shots. Minimal Techno contains 1.6 GB of style accurate leads, pads, bass, drums, stealth elements, spheres and textures. All samples have been refined and designed for minimal techno, electro and tech house but will mesh with parent and sibling genres such as: Glitch, Minimal House, MonoMusic, MicroMusic, Rave, IDM, you name it. The Minimal Techno genre accentuates the resourceful minimalist approach to synthetic club productions. Having stripped down Glitch effects and disjointed contrasts between thematic layers and transitions within a piece. Traditional percussive and other instrumentation randomization is enhanced with microtonal textures and sound incidents.
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