Future Music brings you the most in-depth reviews by respected industry professionals plus news on all the latest hardware and software releases. We also interview musicians at the cutting edge of technology, and give you all the advice, music and free samples you need to get the most out of your existing set-up and improve your music making.
Mix is the world’s leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.
Ob Emulationen rarer Vintage-Synthesizer, moderne Klangzauberer oder exotische Kreativkraftwerke: Das Angebot freier VST-/AU-Klangerzeuger für Windows und OS X wächst täglich. Doch wer hat schon die Zeit, diese alle zu installieren und auszuprobieren? In unserem großen Spezial stellen wir Ihnen die wahren Perlen unter den Freeware-Synthesizern vor und zeigen Ihnen, wie Sie diese gewinnbringend in Ihrer Musik einsetzen.
The world’s leading magazine on professional audio. This is the whole year’s issues so far from the online edition turned into PDF.
On the front cover this month we have KORG’s recreation of the ARP Odyssey. Not satisfied with remaking their own classics, Korg have reissued this revered duophonic analogue synth. We find out how it stacks up against the original. For Inside Track this month, we talk to Björk and collaborators Chris Elms, Arca and The Haxan Cloak about her latest album, Vulnicura. We also look behind the production of the Arctic Monkeys’ modern classic ‘I Bet That You Look Good On The Dancefloor’. We also review Akai Professional’s new flagship Ableton controller, the APC40 MkII, Apple Logic Pro 10.1, the sE Electronics Rupert Neve-designed RE17 small diaphragm condenser, Modartt Pianoteq 5, iZotopeRX4, the new Korg Electribe, the Audio-Technica UK AT4060A valve mic, and much more.
On the front cover this month is Cubase 8, the latest version of Steinberg’s DAW software which incorporates powerful tools from Nuendo, and features such as VCA faders and the ability to render audio in place. You can’t seem to go anywhere at the moment without hearing Hozier’s commercial breakthrough ‘Take Me To Church’. In our Inside Track feature this month, we interview producer Rob Kirwan and discover that it was a focus on the track’s least commercial elements that helped make it a hit. We also find out about how the Fall made their ‘Hit The North’ in Classic Tracks, and talk to live sound engineer Bob Pridden about working with The Who.
The world’s leading magazine on professional audio. This is the whole year’s issues so far from the online edition turned into PDF.
