ZED 80 Vol.2 KONTAKT

KRock | 26 October 2013 | 1.02 GB

This Kontakt instrument uses sounds sampled from various 80’s samplers and 80’s synths. In creating this slection of sounds I wanted to provide an instrument that will have a wide range of sounds that will hopefully come in usefull in various studio situations. Some users of Zed Volume 1 have stated it has come in very handy in some studio sessions and a sound contained has rescued a session. Over 1.5GB of samples compressed to just over a GB using NI’s compression and well over 200 presets ready for your musical productions or tweek away using the graphical user interface. The libraries of Vol1 and Vol2 do have a lower fi vibe to them due to the nature of the older samplers some of the sounds have come from. I think it is true older samplers do have a certain magic to them and vibe.

ZED 80 Vol.1 KONTAKT

KRock | 26 October 2013 | 0.98 GB

This Kontakt instrument uses sounds sampled into a Casio FZ-1 sampler, various 80’s samplers and 80’s synths and drum machines. Over 1.5GB of samples compressed to just over a GB using NI’s compression and over 300 presets ready for your musical productions or tweek away using the graphical user interface. I have been a user of the FZ-1 for many years and love the way it adds ‘that something’ to anything sampled into it. The output from the samplers was connected to a series of vintage valve pre-amps before sampling for use in Kontakt. If you like sounds and drums suitable for Depeche Mode/New Wave tracks, John Foxx, old rave, 80’s disco, modern dance, abstract experimental electronica, chillout, Film score (check Replicant demo below for Blade Runner type sounds) then this collection of sounds is for you.

The Source KONTAKT

DiSCOVER | May 01 2016 | 436 MB

Source-Base Synthesizer

We sampled Electric Cellos, Guitars, Basses, Synthesizers, Ethnic Instruments, Percussion, and Human Voices for The Source. With source-based synthesis, users will encounter a beautiful balance between 50 Melodic and Effect–Driven Patches, which flow easily between styles and scoring applications.

Broken KONTAKT

Team SYNTHiC4TE | Jan 23 2014 | 43.1 MB

Imagine…

You’ve just moved into an old house, you’ve settled in, got your stuff unpacked and you decide to have a rummage around the attic to clear out some of the junk left behind by the previous occupants. In the process of doing this, you stumble across a curious looking box of electronics. Intrigued, you dust it off, observe the slight stains of verdigree on the chipped hardboard fascia, you smile at the badly applied Dymo tape labelling and take it downstairs for closer examination. It all looks very promising – obviously very badly made by someone with few construction skills and who ran out of matching knob caps but it seems to be some kind of home-made synthesiser. With eager anticipation, you fire it up only to be greeted by chaotic, squealing, stuttering noises of machinery in pain. It’s broken and doesn’t work properly… it probably never did!

TMK001 Polyphonic Wretch Machine KONTAKT

TEAM PHOTONE | 26/04/2015 | 1.65 GB

The Metasonix S-1000 Wretch Machine is the only commercially available synthesizer to use gas-tube oscillators as the fundamental sound source. This technology predates most of the recognized synthesis advancements of the 20th century, and was abandoned in favor of integrated circuits. The waveforms generated by these gas-filled wonders of yesterday are a beauty unto themselves – wildly variable, inherently unique, and filled with atmosphere. At the helm of this recording is Michael Weeks, who has been involved with the S-1000 Wretch Machine since its inception. Brought to life at Metasonix with help from Michael’s constant prodding to create an integrated rack mount synthesizer, and named after his band The Wretch, Michael has clocked more hours behind the wheel of the Wretch Machine than anyone outside of Eric Barbour. The goal of this library is simple: provide the most comprehensive and raw presentation of the heart of the Wretch Machine to sound designers via painstakingly recorded samples of its oscillators. Utilizing a scripted interface in Kontakt 4, we provide basic building blocks for sound designers to truly integrate these incredible waveforms into their studio environment.

Korg Rhythm-55B KONTAKT

TEAM MAGNETRiXX | 30 July 2014 | 4.3 MB

The Forgotten Keys FK11 Kontakt instrument is a close virtual re-creation of the Korg Rhythm-55B (AKA KR-55B) analogue drum machine which was the 1982 follow-up to the Rhythm-55 released in 1979. The sound generation of the 2 models was identical but the KR-55B saw a doubling of preset rhythms, intros and fill-ins as well as a major overhaul to the existing rhythm patterns. There were actually 2 versions of the KR-55B with rhythms suited to different geographical locations (presumably).

Guitar Harmonics v2.5 KONTAKT

P2P | 04 August 2022 | 155MB

FINE AND GENTLE – GUITAR AND BASS FLAGEOLETS

Guitar Harmonics consists of an assortment of electric and acoustic guitars and basses. We spent a lot of time finding the perfect setup to achieve a warm and realistic sound, and it provides valuable tools that enable each instrument to produce a wide range of sounds.