Mellotron V v1.9.4.6126 MAC

MORiA | 29 April 2025 | 2.10 GB

..:: AUi, AAX, STANDALONE, VSTi, VST3i ::..

Legendary Tape Keyboard

The Mellotron put an orchestra at the fingertips and redefined what it was to be a keyboard player. Now with modifications never dreamed of in the 1960s, our faithfully modeled reproduction will infuse your sound with updated vintage goodness. From psychedelic rock to rocking your world. In the mid ‘60s, the Mellotron thrilled keyboardists with the ability to play tape-based recordings of actual orchestral instruments—adding its own quirky sonic character. Whether you’re conjuring the classics or creating new ones, adding this vintage sound to your music with Mellotron V is sure to make people sit up and listen. Mellotron V puts the orchestral sounds of classic art rock right in your hands—cape optional. Imagine a pre-digital world where sampling didn’t exist and the only way to incorporate orchestral realism in your music was, well, to hire an actual orchestra. Enter the Mellotron circa 1963. We’ve lovingly re-engineered it in Mellotron V for your music circa today.

Addictive Keys v1.7.3 macOS

TEAM HCiSO | 28 August 2025 | 4.52 GB

..: STANDALONE/AU/VSTi/64 :..

Addictive Keys isn’t just a collection of sampled keyboards. That’s easy. Anyone can do that. What Addictive Keys does is to capture the soul and essence of great instruments from multiple angles. That’s hard, but Addictive Keys instruments pull it off and make it look effortless. Addictive Keys brings the world’s most inspiring and interesting keyboard instruments into the studios of songwriters, producers, and music makers. It’s unique sonic capabilities, smart workflow, fast load-times, and outstanding sound quality are designed to help you stay in the creative flow and to compose great music while you’re in the zone.

P11 Abyss v2.2.3 MAC

MORiA | 23 August 2025 | 79.29 MB

..: AU, VST3, 64Bit :..

P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors. Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.

P42 Climax v6.1.0 macOS

MORiA | 23 August 2025 | 69.68MB

.: AU, VST3, 64Bit :.

P42 Climax is an innovative multifaceted powerstrip for tone shaping/coloration, saturation and conjures more of the idea of working with hardware. P42 Climax begins with the heartbeat of a hardware line amp, and ends on every single track because it has the cpu coverage to do so (more than 300 instances in a single session). Sculpt your perfect sound whether processing a single instrument, grouped tracks, the 2-bus or even when mastering. The sound is simply… unbelievable! Don’t underestimate the few parameters in P42 Climax. It is chameleon like, able to assimilate many different coloring hardware devices, but never intended to copy any single one! P42 Climax works magic on drum bus, snare, and of course the bass guitar. Inserting P42 on the 2-bus track, immediately opens up your mix and exposes hidden gems in your mix. With its Mid/Side processing and detailed metering (peak, RMS and LUFS) and Auto. Gain Compensation workflow, P42 fits nicely into your mastering signal chain.

KORG ARP 2600 U2B macOS

MORiA | 16 August 2025 | 260.1MB

…: STANDALONE | AUi | VST3i :…

The one and only ARP 2600. The iconic ARP 2600. It’s the one synth you can expect to see in every major studio. They demand astronomical prices on the second hand market. When KORG released the limited- edition ARP 2600 FS in 2020, they sold out immediately world-wide. Now, KORG is pleased to present the first truly accurate software re-creation of this essential synthesizer: the KORG Collection ARP 2600. KORG’s proprietary CMT technology faithfully reproduces the distinctive waveforms and filters, the custom LFO and envelope shapes, the many subtle nonlinearities, even the behavior of the patch panel – unlike any other 2600 software instrument. Thanks to this obsessive attention to detail, you can open the original ARP 2600 Patch Book (available as a free PDF on KORG’s website), hook up each of the 100 patches on screen, and they will sound just like an authentic ARP 2600 – something that no other 2600 plug-in can do.

KORG EP-1 v1.1.4 U2B macOS

MORiA | 16 August 2025 | 213.2 MB

…: STANDALONE | AUi | VST3i :…

EP-1 Electric piano sound engine from the KORG KRONOS/NAUTILUS. The finest vintage EP sounds now available in the KORG Collection The electric piano sound engine EP-1 first appeared in 2011 in KORG’s flagship workstation synthesizer, KRONOS. It adopted the newly developed MDS (Multi-Dimensional Synthesis) technology which expresses smooth and dynamic tonal changes finely corresponding to key touch, something previous sample playback methods could not achieve. In 2017, it was featured in the top-tier Korg stage piano Grandstage, and in 2021, a new electric piano model was added to the NAUTILUS workstation. This plugin version now features the latest EP-1 sound engine and has received new voicing, making it the definitive Electric Piano sound engine. The overwhelmingly realistic sound and dynamic expression of EP-1 will stir the player’s soul and unleash deep emotional responses. Experience the latest EP-1 sound engine and expand your creative horizons.

VOX Super Continental U2B macOS

MORiA | 16 August 2025 | 169 MB

..: STANDALONE | AUi | VST3i :..

The legendary VOX Continental organ is faithfully recreated in software as the VOX Super Continental! Originally conceived in the early 1960s as a more portable and affordable alternative to tonewheel organs, the VOX Continental’s distinctive sound – and its sharp red-and-black design – soon made it a staple of “British Invasion” bands. The Continental’s bright timbre and brash attitude fit perfectly with jangly guitars, and easily cut through the mix on stage and in the studio. Production stopped around 1970, but a new generation of ska, garage, punk, and new wave bands adopted the instruments in the ‘70s and ‘80s. Weathered and worn through decades of use, and none-too-stable to begin with, the instruments tend to be charmingly out of tune. As the key contacts aged, each note started to sound slightly different. With this unique voice, a combination of electric tone and vintage character, the Vox Continental is a fixture of stage and studio – particularly in indie music.