GateMate v1.0.0 macOS

TEAM HCiSO | 15 January 2025 | 58.26 MB

GateMate is an innovative approach to a noise gate. A pair of plugins (Pre and Post) makes it possible to clean up the sound like never before. The Noise Gate That Gets It Right Noise gates are supposed to solve a simple problem, not create new ones or feel like a compromise. We wanted better. We spent months perfecting a noise gate that doesn’t choke your tone, responds naturally to your playing, and handles all the dirt and dynamics. The result? A gate that just works. No gimmicks—just performance you can rely on. GateMate’s main role is to provide a complete noise cancellation solution. To do this, you will find two GateMate Pre and GateMate Post modules. One is placed upstream of your favorite amp and baffle simulator, and the second is placed after. GateMate Pre cleans the incoming DI signal, and collects the data necessary for the proper functioning of GateMate Post, which refines the latest finishes.

Parallels Toolbox Business ED

TEAM HCiSO | 12 June 2024 | 80.00 MB

Parallels® Toolbox is our all-in-one solution with 50+ powerful productivity apps for macOS. Parallels® Toolbox for Mac includes the Mac tools you’ve always wished you had at your fingertips—all in a single app. Parallels® Toolbox Business Edition is ingeniously crafted for a diverse array of users— everyday users, creatives, students, small business owners, IT managers, and more. It’s a set of tools that simplify tech life, allowing everyone to effortlessly harness the full power of their Mac. No complex system settings, just straightforward efficiency.

Sononym v1.5.6 macOS

TEAM HCiSO | 15 January 2025 | 248.02 MB

.: The Best Sample Browser :.

Sononym is a sample browser that offers a fresh perspective on how sounds can be explored and organized. The software is available for Windows, Linux and Mac OS X.

ABL3 v3.3.3.4 WiN MAC

Team R2R | 10 September 2024 | WiN: 26.1MB | MAC: 45.6MB

…: AU, VSTi, VST3, x64 :…

AudioRealism Bass Line 3 (ABL3) is the next generation of our critically acclaimed 303 emulation plug-in. ABL3 is a complete redesign from scratch and has been in development for several years with the goal of creating the most authentic emulation possible. With an intuitive and streamlined workflow we hope ABL3 will set a new benchmark in software 303 emulation.

Bornemark Broomstick Bass VSTi

BSOUNDZ | 30 December 2004 | 652MB

Broomstick Bass – the best virtual bass player for VST-compatible applications. The program was developed Bornemark Software, the authors of the idea of Groove Agent and Virtual Guitarist. Broomstick Bass – samoigrayuschy new musical instrument that can be used to avtoakkompanimenta, to help composers and arrangers, as well as a library of bass sounds of exceptional quality. For the game enough to take a few chords on the keyboard, and the program will build on the specified harmonic on the bass riffs and sequences. In addition to the large number of ready-made patterns, the program can be used for independent game with the keyboard.

iZip Archiver Pro 5 macOS

TNT | 14 January 2025 | 6.08 MB

ZIP, UNZIP, ENCRYPT, AND SHARE FILES ON YOUR MAC AND PC WITH IZIP! iZip is a simple to use, effective and powerful utility built for fast and efficient archive management!

TE-100 v1.1.3 macOS

MORiA | 10 March 2024 | 31.9 MB

The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”