Elite Pianist, a virtual instrument catered towards Piano instruments. It is a simple plugin with a user-friendly interface. It contains live recorded piano samples designed for music producers, beatmakers and composers.
One of UK’s most in-demand session drummers lays down the groove. Having played with some of the most noted artists in modern pop history, performed on best-selling records like Adele’s “21,” recorded 52 Top 20 albums, resided as the house drummer for UK’s “The Voice,” graced covers of magazines and received numerous awards, session drummer Ash Soan has been the session drummer in the lens view of British pop for the past few decades. This collection of grooves and fills draws inspiration from a myriad of songs, where Ash took the basic foundations and merged, twisted, turned and tilted them to come up with a broad palette of variations. Expect a wide range of fundamental but still inventive drum beats, all with that British twist. When stars like Adele, Robbie Williams, Cher, Ronan Keating and James Morrison need a solid groove, they call Ash. The next time you do, you know where to look.
Its focus is on creating extreme tape artifacts. The inspiration for Bad Tape came from denise team member Enrico ‘nrec’ Tiberi: “I was using a lot of my old Akai 4000 DS MK2 reel to reel tape recorder pressing the tape to slow it down as an effect and that made me want a plugin that could control how to break the sound without having to use my fingers each time and without all the cables and fuss that analog hardware inevitably brings”. Combining a good old vintage tape sound with harming features makes Bad Tape a creative and versatile tool. Want an “out of tune and off the grid” beat or a wonky drum groove? Just keep the detune button pressed and it will create a tape-stop in real time. Press it shortly for slight slow-downs and speed-ups, or use wow and shake to make it go in and out of tune and go off grid periodically. Use the mix knob to create tracks that are heavily saturated and detuned, with additional interesting tape artifacts like hiss, squeal and harm. Bad Tape can be used to color and detune your whole track, or it can be applied to just one bar at the end of a section to help introduce some variation and lead in the next section of your song.
EZkeys MIDI inspired by modern British pop. Adele, Ed Sheeran, Coldplay, Amy Winehouse, Sam Smith, James Bay, Ellie Goulding – the modern British pop wonder is more than a fact, it’s a force in motion, unstoppably charging through the worldwide charts. Inspired by this wealth of music, the UK Pop EZkeys MIDI pack dives headfirst into the treasure chest of British pop to come up with new ideas that you can use to craft your tracks from. Expect classy, timeless pop with a modern twist and, of course, that unmistakable UK pop feel.
Pop grooves and fills inspired by the ’60s pop and rock revolution. Transitioning from rhythm and blues, rock ’n’ roll and soul to a more open sound, the ’60s pop era is one of blurred lines when it comes to drums. Suddenly, drummers were caught in the midst of a musical and cultural revolution bursting with innovation, calling for new ideas, grooves and personality. Pop and rock players like Bobby Orr, Mick Avory, Keith Moon, Levon Helm, Charlie Watts, Mitch Mitchell, Ringo Starr and others in many ways rewrote the role the drums used to have in a pop or rock song. “From a drum perspective, the ’60s is an era of extreme forward musical thinking. I’d like to think of this decade as the musical cradle that shaped the modern pop and rock drum hero. Finally, the drums did more than just play along. Much like in a jazz setup, they were in the forefront of the sound and a pivotal part of the overall expression”, says drummer Norman Garschke.
PsymmetrixDelay is a tempo synced delay, featuring LFO controllable pan & pre/post feedback filter stages, with buffer locking for extreme stutter effects.
Zebra is our wireless modular synthesizer. It combines many different types of synthesis with a powerful modulation engine. Imagine — you can create any additive, freehand or spline-based waveform you like, apply a vast selection of spectral effects, morph between those waves and send them through classic synth filters. Perhaps use that entire sound as modulator for an FM oscillator, or route it through a comb filter — the building block of physical modeling synthesis. All generator modules, all signal paths, all effects are stereo.
