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  • P930 Lunar Lander v1.0.6 U2B macOS-MORiA
    November 12th, 2024 ⚡
    Categories:

    P930 Lunar Lander v1.0.6 U2B macOS-MORiA-MaGeSY

    P930 Lunar Lander MAC

    MORiA | 12 November 2024 | 87.97 MB

    ..: AU | VST3 | AAX* :..

    P930 Lunar Lander elevates everything we love about plate reverb and delay to new heights, offering next-level control, shaping, and enhancement of the audio signal. A flexible and creative ducking circuit, adjustable noise and multiple stages of wet/dry blend options round out some of the other available features of this purely algorithmic powerhouse. P930 is equipped with a triple P42 Climax saturation circuit, LPF and HPF with bandwidth control in each module and a routable ducking, inverse ducking and gating circuit. Put it on your plastic sounding soft synth, and crank the saturation up, and transform your Chihuahua synth to a Dobermann Synth! Simply said, the P930 gets the sound to sit perfectly in the mix with minimum tweaking.


    Viewed 73769 By Music Producers & DJ´s.


  • Audio Damage Quanta 2 v2.1.2 WiN MAC LiNUX

    Quanta 2 v2.1.2

    OSHiE | 17 October 2024 | 383 MB

    Audio Damage Quanta 2: A Game-Changing Tool for Sound Designers and Musicians. If you’re a sound designer or musician looking for a powerful, intuitive tool for granular synthesis, the Audio Damage Quanta 2 is a must-have. Designed by one of the leading innovators in plugin design, Quanta 2 is available for download. One of the most notable features of the Quanta 2 is its granulation engine. It allows users to break down a sound into small “grains,” each of which has its own unique pitch, envelope, and density. This makes it possible to create entirely new and unique sounds from any source material. But the Quanta 2 is more than just a granular synthesizer. It also includes advanced features like a modulation matrix, a dual delay, and a built-in arpeggiator. And thanks to its graphical interface, it’s quick and easy to understand and navigate, even for beginners. One of the most impressive things about the Quanta 2 is its ability to load samples directly into the plugin. This means you can use any audio file as the basis for granular synthesis, opening up an almost endless array of creative possibilities. And with support for multiple sample formats, it’s easy to integrate Quanta 2 into any workflow. If you’re looking for a tool that can take your sound design and music production to the next level, the Audio Damage Quanta 2 is definitely worth checking out. And with hassle-free downloads available on Magesy Pro, Magesy, and Magesy R-evolution, it’s easier than ever to get started.


    Viewed 82601 By Music Producers & DJ´s.


  • TAL-U-NO-LX v2 v4.9.4 WiN MAC LiNUX-R2R

    TAL-U-NO-LX V2 v4.9.4

    Team R2R | 01 November 2024 | 44.9MB

    …::: AAX, AU, VSTi, x86, x64 :::…

    TAL-U-NO-LX is a fully rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL_U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features. An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off and emulated inaccuracy gives this synth the typical sound. The synth was calibrated after a hardware device that’s property of TAL.


    Viewed 60718 By Music Producers & DJ´s.


  • Voxengo OVC-128 v1.13 U2B macOS-MORiA

    OVC-128 v1.13 MAC

    MORiA | 12 September 2024 | 5 MB

    ..: AU, VST2, VST3 :..

    Oversampled Soft/Hard Clipper Plugin

    Voxengo is happy to release OVC-128, a massively-oversampled soft/hard clipping effect plug-in for professional music production applications, available in AAX, AudioUnit, VST and VST3 plug-in formats (including native 64-bit support), for macOS (v10.7 and later), and Windows computers. OVC-128 is a massively-oversampled soft/hard clipping effect plug-in for professional music production applications. A common use for this plug-in is hard-clipping before the final peak limiter. This is an effective approach in contemporary electronic music when loudness is boosted using a clipper plug-in while minor excessive peaks are absorbed by a final peak limiter that applies no additional gain itself.


    Viewed 82467 By Music Producers & DJ´s.


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