Complexer 2 v2.0.5 WiN MAC LiNUX

Team R2R | 25 April 2022 | 16.16 MB

VST • VST3 • AU • AAX

Complexer 2 is a multi-stage dynamics processor, featuring three independently controlled dynamics processors, each with a choice of six different modes. Each of the three processors can be configured as an upward or downward compressor, an upward or downward expander, a limiter, or a gate. Complexer 2 offers four different arrangements for processing: serial/parallel chaining, stereo, mid/side, and multiband. Complexer 2 is a dynamics powerhouse, letting you take complete control of your track.

DeeQ v1.2.0 WiN MAC

Team R2R | 25 April 2022 | 16.52 MB

VST • VST3 • AU • AAX

DeeQ is a single-band dynamic EQ filter that automatically adjusts the parameters of the EQ based on the incoming envelope or an external sidechain.

Maximal v2.3.0 WiN MAC LiNUX

Team R2R | 25 April 2022 | 19.88MB

VST • VST3 • AU • AAX

Loudness Maximizer / Brickwall Peak Limiter

Maximal 2 is a loudness maximiser, featuring an advanced lookahead peak limiter and analogue modelled saturation. The multi-stage limiter section features next-level lookahead, automatic makeup gain, and adaptive and responsive release. This plugin will smoothly limit any peaks in the audio, and automatically increase the overall level. The analogue modelled tape and tube saturation modes encompass all the best parts of the analogue world, without all the bad parts – such as high-frequency roll-off, hiss, wow and flutter. Using our adaptive release technology, you can simply tell Maximal 2 whether you want the limiter to be fast and loud, or slow and transparent, and it will do what’s needed inside. You can use Maximal 2 to catch rampant peaks in an audio recording, or you can use it to make your track phat and loud – it’s up to you how you push it.

Phrasebox v1.2.4 WiN MAC LiNUX

Team R2R | 25 April 2022 | 18.08 MB

..:: VST • VST3 • AU • AAX ::..

Phrasebox is a phrase arpeggiator that gives you control over the playback like never before. With it’s DAW-like piano roll you can create expressive, layered melodies that aren’t limited in timing and length compared to traditional step arpeggiators. The notes of the piano roll correspond to the pitch order of notes, with “special” notes (like the loudest or quietest notes played), which let you control exactly which notes you want to play. It also features a lock to key option so your transposed notes are never out of key, and the included controller window lets you also send MIDI CC data out to your instruments. Phrasebox also features generation options, so you can generate unlimited unique phrases at the click of a button.

British Kolorizer v1.1.0

P2P | 17.08.2021 | 18.2 MB

From vintage to vavoom, the British Kolorizer, or the “BK” for short, takes sound to a whole new level. The opulent sound of tomorrow, comes to you today. The BK delivers the sharp ultra-modern advantage of AI. AI makes it possible to interpret between the various forms of sound and science to analyze the system and perfect your music creation. The BK is endowed with the characteristics of human intellectual processes that can discover threads and learn, making repetition a thing of the past. The feeling is cozy and intimate, just like that of an exquisite sunset.

Kawai K1 v1.24 WiN MAC LiNUX

[FREE] | 26 August 2021 | …

MAC: AU/VST2/3 | WiN: VST2/3 | LiNUX: VST2/3

ils‘ K1v is a rompler that emulates a Kawai K1, a famous japanese classic 88from 1988.

Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs