Zebra2 is a sound-design playground. A powerful, high quality (but still CPU friendly) sound engine together with numerous sound sculpting tools makes Zebra2 capable of a near-limitless range of new sounds and textures. A favourite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need—the rest is up to you.
Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix. An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.
From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series. With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box. Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.
A bank of over 400 presets, a collaboration between Hans Zimmer and Howard Scarr. Practically all Zebra sounds in the The Dark Knight as well as The Dark Knight Rises soundtracks are included, plus several more that didn’t quite fit into the scores. The pack also includes Hans’ custom built update from a licensed Zebra2.x to the version you can see in this video, ZebraHZ. Several of the more recent patches make use of the extra features available in ZebraHZ.
Axon 2 is a drum synth driven by artificial intelligence. (Well, “intelligence” might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice. If that sounds weird, you ain’t seen nothing yet. It is surprisingly intuitive once you get the knack of it, and is capable of all-new, complex rhythms that repeat in surprising ways. It often gets referenced as a “random sequence generator,” but there is nothing random in Axon; it is entirely determinative. The sequencer features seven “neurons” that trigger a voice and send a pulse when they have received a predetermined number of pulses. You can wire the output of any neuron to the input of any other (with built-in loop detection to prevent runaway feedback), and in this manner pre-program the artificial neural network without having to go through a “learning” phase.
The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products. All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay.
Filterstation2 is the take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say “indispensable”) by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer’s toolkit. Filterstation2 takes our original Filterstation plugin, and adds an all-new HiDpi/Retina-capable vector-based UI with resizability, a completely rewritten parameter and DSP section, a full selection of extreme modification tools, ProTools support, an cross-platform XML preset mechanism.
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