Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs

U-he Podolski v1.2.3

FREE | 30 August 2021 | 105 MB

.:AAX, AU, x86, x64, VSTi, VST3:.

Podolski: Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

U-he Zebralette v2.9.3

FREE | 30 August 2021 | 199 MB

.:AAX, AU, x86, x64, VSTi, VST3:.

Zebralette: easy spectral synth

Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.

U-he Protoverb v1.0.1

FREE | 26 August 2021 | 47.6 MB

Protoverb: prototype reverb

A natural sounding reverb based on the concept of a room simulator. Protoverb is an experimental researchware plug-in, developed to aid our research. Download and use it for free.

U-he Triple Cheese v1.3.0

FREE | 27 August 2021 | 57.5 MB

Triple Cheese: Luscious and cheesy

.:AAX AU VSTi VST3i AUi x86 x64:.

Triple Cheese, winner of the 2006 KVR Developer Challenge, is a truly unique freeware synthesizer. No traditional oscillators or wavetables, no FM or phase distortion and no analogue modelled filters here. A touch unusual and a little cheesy, Triple Cheese is quite capable of some surprising sounds.

.:Zebra2 v2.9.3.12092:.

TEAM RET | 12 August 2021 | 197 MB

( AU/VST2i/VST3i/AAX )

Zebra2 is a sound-design playground. A powerful, high quality (but still CPU friendly) sound engine together with numerous sound sculpting tools makes Zebra2 capable of a near-limitless range of new sounds and textures. A favourite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need—the rest is up to you.

Continua v1.1.0 WiN MAC LiNUX

SYNTHiC4TE | April 23 2021 | 26.2 MB

..:: VSTi, VST3, AAX, AU, x64 ::..

Continua is a virtual analog synth with a twist: a continuously morphable threesome of oscillators. With three interconnected controls defining the wave shape, Continua has a virtually limitless supply of waveforms, especially when you add cross modulation and noise in to the mix. An immediately intuitive three-oscillator analogue-style synth with two filters, up to 16 unison voices, copious polyphonic modulation sources and three onboard effects, Continua puts highly controllable waveform morphing at the centre of its architecture and workflow. Bringing the deft harmonic shifts of wavetable synthesis to mind, Continua’s oscillators sweep seamlessly from outputting sine through square to saw waves; each of the four LFOs transitions from a double sine to square, via triangle waveshapes; and the dual independent filters morph continuously through low-pass, band-pass, high-pass and notch responses. Skew and Warp controls enable further manipulation of oscillator and LFO waveforms, and all morphing controls can be modulated for pads and textures that constantly evolve right at the oscillator/filter level.